JW Steakhouse at the JW Marriott Grosvenor House Hotel

In close collaboration with Muza Lab, dpa is proud to unveil the newly redesigned JW Steakhouse at the JW Marriott Grosvenor House Hotel, London. The interiors are characterised by dark timber panelling, textured wall finishes, and an elegant palette of velvet and leather in warm amber tones, creating a sophisticated setting for the classic American steakhouse experience.

The lighting design plays a central role in shaping the restaurant’s ambience throughout the day. Statement chandeliers and discreetly integrated linear lighting provide a fresh, inviting atmosphere for breakfast and lunch, while seamlessly transitioning into a soft, ambient glow for evening service. Battery-operated table lamps deliver both practical illumination and an intimate, low-level lighting experience across dining tables and booths.

A key highlight of the redesign is the Bourbon Bar, inviting residents and guests to explore a curated collection of over 500 rare, single-batch bourbons. To enhance the golden hues of the spirits, dpa specified a tuneable white light sheet beneath the bottles, allowing them to be beautifully lit from within. Each shelf also features a miniature recessed linear light at the front edge to subtly illuminate the labels, creating a striking, jewel-like display that draws attention and invites exploration.

Lighting control was essential in carefully curating light levels throughout the day while also providing the restaurant with the flexibility to adjust for future events.

Operator: JW Marriott
Client: Grosvenor House Hotel, London
Interior Designer: Muza Lab
Contractor: Barton Minty
Photography: Daniel Herendi and dpa Lighting Consultants

Working closely with Sherliker Biggs, dpa were tasked with designing a relaxing environment for the Executive Lounge at the JW Marriott Grosvenor House Hotel, inspired by the theme ‘Up with the lark and down with the owl.’ By incorporating tuneable white lighting, we created a bright and refreshing atmosphere in the morning that gradually transformed into a warm and cosy setting as the day progressed.

To enhance the space, we incorporated concealed linear lighting within bespoke joinery and backlit a faux window wall, harmonising with the decorative table and floor lamps selected by Sherliker Biggs. This approach successfully simulated the effect of natural daylight in an area where no actual daylight was present.

Lighting control was essential in carefully curating light levels throughout the day while also providing the hotel with the flexibility to adjust for future events.

Operator: JW Marriott
Client: Grosvenor House Hotel, London
Interior Designer: Sherliker Biggs
Project Manager: Barton Minty
Photography: Daniel Herendi

Rosewood Amsterdam is housed in the city’s historic former Palace of Justice – a building with a layered past. Originally constructed in the 17th century as an orphanage, it underwent a dramatic transformation in the 1820s and served as Amsterdam’s criminal courts for the next 200 years. dpa joined the project a year into its decade-long renovation, a process made more complex by the building’s classification as a national monument. This status demanded a careful balance between restoration and modernisation, ensuring the integrity of the original structure was respected. Collaborating with Kentie Architecten (Lead Architect), Studio Piet Boon, and Sagrada, the team worked to transform the austere, institutional architecture into a warm and inviting Rosewood hotel.

In the guestrooms and suites, heritage restrictions on modifying the intricate moulded ceilings and walls led Piet Boon to adopt a “box within a box” design approach—creating spatial separation for bedrooms, living areas, and bathrooms, while allowing for discreetly integrated lighting.

Public areas were divided between Studio Piet Boon and Sagrada, with the former designing key spaces including the main entrance, pre-function zones, ballroom, meeting rooms, and spa. Their approach blended modern elegance with subtle Dutch character and colours inspired by the Dutch Masters. Lighting interventions were highly sensitive; original chandelier points were reused, and architectural pendant fixtures provided gentle uplighting to accentuate restored ceiling mouldings. In the subterranean spa, dpa used tuneable white LED lighting to complement limited natural light from a repurposed street-level lightwell, simulating daylight where needed and shifting to a rich amber glow for calming evening settings and treatment rooms.

Sagrada brought their signature “restrained opulence” to the Eeuwen all-day dining restaurant and Advocatuur bar. At Eeuwen, they crafted a space that feels light and open for breakfast, even under Amsterdam’s grey skies, and transitions into a subtly luxurious dining setting by evening. dpa supported this with minimal downlighting and a focus on integrated, concealed lighting to reveal the intricate plaster ceiling reliefs.

The Advocatuur bar is divided into three distinct zones, each characterised by rich colour palettes and lit predominantly by decorative lighting. The standout feature is the distillery—a dramatic space where deep blue walls contrast with gleaming copper equipment. In late-night scenes, the only illumination comes from the distillery elements and intimate table lamps, creating a moody, immersive experience where guests can enjoy the house-distilled Jenever in a truly unique setting.

Owner / Developer: CTF Amsterdam B.V.
Operator: Rosewood Hotel Group
Project Manager: C&R Hospitality Services
Lead Architect:  Kentie Architecten
Architect of Record: Archer Humphryes Architects
Interior Designer: Studio Piet Boon and Sagrada
Photography: Courtesy of Rosewood Hotel Group
Rosewood Amsterdam Façade: © Brenda van Leeuwen
Asaya Spa: © Danielle Siobhan
Advocatuur: © Chantal Arnts
Canal View Junior Suite: © Jonathan Maloney

Formerly the Grand Hotel Astoria Brussels, the reimagined Belle Epoque landmark now comprises 126 beautifully designed rooms and suites, an exquisite restaurant, and a subterranean spa. At the centre of the interior, Palm Court features a hand-crafted stained-glass skylight, extending to an elegant ballroom and intimate private dining spaces.

dpa lighting consultants worked closely with GA Design to ensure that both the refurbished and newly introduced lighting elements preserved and enhanced the character of this historic building, whilst supporting the interior design narrative in tandem with the Corinthia brand.  Due to the sensitivity of the building fabric, it was important for the lighting implementation to minimise intrusion and visual clutter.  The lighting equipment is neatly integrated and concealed where appropriate, within decorative layers, such as chandeliers, wall lights, table lamps, cornices and furniture details, and the extent to which recessed downlights were employed was reduced in the historic spaces.  Extensive lighting trials were undertaken to ensure that the technical lighting equipment specifications worked in harmony with the materiality and detailing, for instance a section of the hand-crafted stained-glass skylight was constructed in a warehouse and lighting tests completed to determine the most appropriate placement and colour temperature range for the lighting, taking in to account the natural light ingress in Palm Court.

The various lighting components are balanced in intensity via the architectural lighting control system, which provides dimming and is programmed to facilitate a palette of lighting ambiances that are curated and correspond to the venue, functionality, and time of day.

The historic facade is beautifully presented externally with its prominence on Rue Royale, having been relit following extensive lighting trials and articulated with sensitively positioned architectural lighting, which celebrate key features that define and celebrate this landmark building.

It has been a privilege for dpa to have experienced the 8-year refurbishment journey, from inception to delivery.

Client: Corinthia
Client Representative: RBW Estate
Interior Designer: GA Design
Architect: Ma2
Project Managers: QPM
Procurement: Argenta Projects Ltd
General Contractor: Group Jansen
Photography: Courtesy of Corinthia Grand Hotel Astoria Brussels

Luminara is the latest addition to The Ritz-Carlton Yacht Collection’s fleet of superyachts, joining Evrima and Ilma in providing a memorable luxury yachting experience through impeccably designed spaces.

The overall lighting scheme on Luminara is designed to produce an atmosphere of luxurious elegance throughout the yacht, but with enough variation between venues to provide visual interest.  It was important for dpa to bring out the quality of the design, artwork, materials used, and detailing of the furniture through the use of carefully planned lighting.  The lighting is layered, providing visual stimulation, and the decorative lights provide a combination of soft ambience, sparkle, and life within each space.

The public areas are organised so that the lighting and the guests’ experience of the space change throughout the day. There is a bright and fresh feel to the public areas during the day, and then, as the evening starts, the lighting softens to provide a warm, relaxing atmosphere.  The outside decks are lit deliberately with low levels of light so people can see the stars and the moon reflecting off the water at night.  The experience continues in the sumptuous suites where the lighting enhances the guest’s time on board by creating elegance and functionality with intuitive lighting controls.

Client: The Ritz-Carlton Yacht Collection
Interior Design: AD Associates, Chapi Design Luxury Division
Shipyard: Chantiers de l’Atlantique
Photography: Edgardo Contreras

The BoTree on Marylebone Lane has a unique and stunning central ‘Architectural Feature Lattice’ designed by Architects EPR. The lattice elegantly twists up the building from the ground level entrance creating a visually protective veil in front of the corner suite terraces through to the crown of the building where The BoTree Suite is located. A sophisticated warm, white light is typically applied to complement and light the bronze material, but this can be transformed with equal sophistication using carefully selected colours.

One façade employs dark London brick sets installed to create light and shadow both during the day with natural light and later on with artificial, where a single source lights the entire section of the façade. By contrast, the other two façades celebrate clean white vertical ‘sawtooth’ details within the stonework which again are accented with uplighting. The landmark lattice on the corner of Marylebone and Henrietta Place joins these two beautiful architectural envelopes with a twisting bronze veil covering the speciality suites and is adorned with sophisticated colour or white light according to the occasion.

The BoTree focuses on a personalised service, with 199 guestrooms, including 30 contemporary suites designed in collaboration with Amsterdam-based Interior Designers Concrete. With a distinct room layout, hosting a dressing room that provides a transitional space between the entrance and bedroom, custom-designed headboards, bespoke make-up mirror lamps, and unique decorative lighting elements are complemented with subtle accent lighting to the minibar, wardrobes, and vanity mirrors.

The food and beverage offerings within the hotel include LAVO, a sophisticated Italian restaurant with coastal flair, from Tao Group Hospitality, along with the vibrant The BoTree Bar by Concrete Amsterdam. LAVO’s sumptuous and delightful interior is warm in both materials and light throughout. The inviting booths are framed by a feature backlit wall spanning over both floors of LAVO with softly lit greenery and bespoke decorative lighting. The BoTree Bar provides a vibrant space that transforms from day to night through an illuminated colour-changing light feature that spans across the ceiling. The teal marble bar curves across the space with a backdrop of illuminated bottles and curated artworks on display.

Client: The BoTree
Architects: EPR Architects (Lead) & Orbit Architects (Implementation Architects)
Interior Designer: Concrete Amsterdam and Tao Group Hospitality
Project Managers: Buro Four (Lead) & Gleeds (Cost Managers)
M&E Consultant: Introba
Photography: Adam Parker (Exterior), Simon Brown (Lobby and Guestroom), John Carey (LAVO and The BoTree Bar)

Cruise Saudi’s first venture into the cruise market, delivered in December 2024, is embodied by the stunning AROYA. This 335-metre-long luxury cruise ship, with a gross tonnage of 150,000, underwent one of the most ambitious refurbishments ever seen in the maritime industry. Completed at the Bremerhaven shipyard in Germany, the transformation redefined the vessel into a showcase of Middle Eastern elegance combined with cutting-edge technology and sustainability. AROYA accommodates up to 5,000 passengers and 1,925 crew across 18 decks, presenting a remarkable cruising experience designed for the future. dpa collaborated closely with AROYA Cruises and the refurbishment team to craft a lighting design that celebrates both architectural beauty and cultural significance.

The ship’s interior spaces were meticulously redesigned by the design team to reflect the region’s rich cultural heritage, seamlessly integrated with modern luxury. At the heart of AROYA is the breathtaking three-deck atrium and galleries adorned with historical artefacts and bespoke kinetic lighting sculptures. This vibrant space features boutiques, gourmet restaurants, and cafés beneath a digital ceiling chandelier that transitions from vivid desert sunrises to enchanting Arabian nights, creating a dynamic and immersive atmosphere.

The ship boasts a wide array of venues, each with its own distinctive character, brought to life through thoughtfully orchestrated lighting. The Khuzuma Restaurant is illuminated with subtle, warm tones, creating an intimate and inviting ambience.  Space Diner employs playful, colourful dynamic lighting effects to captivate younger audiences.

Meast Steakhouse, with its offering of barbecued delights, is enhanced by lighting that highlights its bold colours and rich textures, offering an immersive dining experience.

The lighting design of the AROYA stands as a testament to the power of thoughtful innovation by balancing artistry, functionality, and cultural storytelling. The project team have transformed the ship and delivered the luminous vision of AROYA Cruises, setting a new benchmark for the future of luxury cruising.

Client: Cruise Saudi
Project & Technical Manager: Columbia Cruise Services
Outfitters: MJM Marine, De Wave Group
Architects/Design Team:  SMC Design, Partner Ship Design, Brand Creative
House Lighting Control: Videlio-FUNA
Photography: Courtesy of AROYA Cruises

Situated on Hanover Square, Mayfair’s oldest square, Mandarin Oriental Mayfair, London has been described as the sleek, younger sister to Mandarin Oriental Hyde Park, London. Designed by the internationally renowned RSHP, it has been built using a Vierendeel structure to maximise internal space. Guests enjoy 50 spacious and luxurious guestrooms and suites, outstanding dining & bars and a sumptuous spa.  A warm and inviting atmosphere radiates within this dramatic restaurant designed by Tokyo-based Curiosity, with the elements of earth, wind, and water inspired by the local parks and squares within Mayfair, London. The breathtaking triple-height sky roof and marble, circular staircase leading into the space marries with the exquisite décor. The senses are stimulated with a dramatic steam-bent wood wall sculpture by British artist Charlie Whinney.

The Spa offers further sanctuary deep in the heart of the hotel. The 25m pool, said to be the longest indoor pool in Mayfair, sparkles with the reflection of a myriad of handblown glass wall lights, and features custom mosaic tiles that fade from refreshing light blue at one end to a soothing dark tone at the other.

The guestrooms and suite, designed by Studio Indigo, use cleverly interlocking volumes with concealed lighting to allow more generous ceiling heights.  Linear LED, concealed in the wainscot panelling, gently uplight the luxurious hand-painted silk wallpaper featuring magnolia flowers, a nod to the trees found in Hanover Square, whilst the chinoiserie design is a subtle reference to the hotel’s Group oriental heritage.

All the lighting uses Dim to Warm technology, transitioning from a bright fresh scene in the morning to a warm cosy candlelit atmosphere in the evening, ideal for relaxing after a hard day shopping!

Owner: Clivedale
Operator: Mandarin Oriental Hotel Group
Architect: RSHP
Interior Design Guestrooms: Studio Indigo
Interior Design Public Areas: Curiosity
Photography: Courtesy of Mandarin Oriental Mayfair; photographer: George Apostolidis

Situated in the heart of the major new neighbourhood of Dubai Creek Harbour, the Palace Dubai Creek Harbour is Emaar’s latest luxury hospitality destination. The architecture and interior are a blend of contemporary and traditional Arab styling with clean lines and rich selection of materiality.

dpa were engaged to design the lighting for all of the front of house, rooms and exterior spaces. The lighting design needed to respond to the soft palette of the interiors and reinforce the warmth and welcomeness of the hotel and residences. Careful attention was given to the concealment and integration of luminaires so that only the lit effect is seen and also to the selection of light sources within the decorative elements. Another critical aspect of the lighting design was the sympathetic transition of the interior areas into the exterior courtyards and Porte Cochere as these were very much visually shared spaces.

Client: Emaar
Project Management: Mirage Leisure and Development
Architecture: GAJ
Interiors: LW Design Group
Landscape: South Landscape Consultants
Photography: Alex Jeffries Photography Group

dpa lighting consultants have developed the lighting design for Ilma, a new superyacht by The Ritz-Carlton Yacht Collection. The yacht, which embarked on its maiden voyage on 2nd September 2024, forms part of an expansion of The Ritz-Carlton Yacht Collection whose first vessel, Evrima, launched in October 2022. A further superyacht Luminara is scheduled to set sail in 2025. The Ritz-Carlton Yacht Collection has taken the exceptional guest service and design excellence for which The Ritz-Carlton is known to the seas, featuring multiple restaurants and bars, a marina terrace and mezzanine, Ritz-Carlton Spa, a fitness centre, retail boutiques and an expanded bow.

As with all projects, close collaboration is paramount and the strength of our relationships with The Ritz-Carlton Yacht Collection, AD Associates and Chantiers de l’Atlantique are proving immensely important in this very exciting venture.

One of the main challenges for the team was to provide innovative solutions at the design stage, knowing that the launch of the ship was years ahead, in a competitive market. Therefore, we have strived to provide original lighting ideas and detailing, in close coordination with AD Associates, that will help define The Ritz-Carlton Yacht Collection as a leader in superyacht design and the luxury cruising sector.

Minimising energy use and impact on the environment is a high priority for all clients, particularly in the cruise industry. As well as designing efficiency into the lighting scheme through the use of low energy light sources, an architectural lighting control system is used throughout the public areas.  The lighting scene setting has been programmed to ensure each of the spaces onboard Ilma appear at their most elegant day and night. Time clock controlled lighting adjustments linked to the ship’s clock provide imperceptible changes to the scenes throughout the day and into the evening, ensuring energy use is minimised autonomously. Further, all 228 suites feature a pre-programmed lighting control system, linked with other room services, to deliver an intuitive and comfortable guest experience at all times of day.

Client: The Ritz-Carlton Yacht Collection
Interior Architect: AD Associates
Shipyard: Chantiers de l’Atlantique
Photography: Courtesy of The Ritz-Carlton Yacht Collection
Videography: Baya Dynamics

The former Old War Office building in Whitehall, which once served as the headquarters for statesmen including Winston Churchill and, which was the inspiration for writer Ian Fleming to pen his James Bond spy novels, opened in September as The OWO. Situated at one of London’s most historically important and powerful addresses, the Grade II*-listed building has undergone a grand transformation and is home to 9 destination restaurants and 3 bars, a 120-room Raffles London at The OWO, and The OWO Residences by Raffles. The OWO Residences by Raffles is the very first in Raffles residences in the UK and Europe.

The OWO has been reborn as a new culinary epicentre for the capital. Transformed through years of meticulous restoration, it is home to an impressive 9 new restaurants and 3 bars. Led by world-renowned chefs and restaurateurs, each of The OWO’s dining spaces and bars showcases an unrivalled selection of international cuisines and dining experiences. From early morning power breakfasts and lunches with the political elite to glamorous evening rendezvous, this monumental building celebrates a new chapter as a bustling culinary hub in the heart of Whitehall, unlike anywhere else in London.

The Guerlain Spa is home to a dedicated well-being concept spa delivered by Guerlain and members’ health club by movement specialists, Pillar.

The first in the UK, the Guerlain Spa spans 27,000 square feet over four floors of Raffles London at The OWO. Facilities and services include a gym and movement studio, a 20-metre swimming pool surrounded by loungers, a vitality pool, and steam and sauna rooms. 9 treatment rooms include 3 VIP Spa Suites and a private hair and beauty space.

Movement specialists Pillar operate the members’ health club at Raffles London at The OWO, constructed around the three pillars of human wellbeing – Movement, Nutrition and Recovery.  Born out of a need for the modern high-performing individual to have their wellness needs consistently met wherever they happen to be on the planet. Members, guests, and residents can train, eat, learn, grow, work and socialise with Pillar. These unparalleled facilities help them excel on their chosen life path.

To find out further information about this project please visit www.theowo.london, www.raffles.com/london, www.theowo.london/restaurants-and-bars and pillarwellbeing.com.

To learn more about the story of this magnificent transformation, click here.

Joint Shareholders: Hinduja Group and Onex Holding
Hotel Operator: Raffles London at The OWO
Architect: EPR Architects
Designers: 
Raffles London at The OWO: The Office of Thierry W Despont
The Guerlain Spa/Swimming Pool and Wellness Areas: Goddard Littlefair
The OWO Residences by Raffles: 1508 London (Public Areas and Apartments Base Build) & Winch Design (Penthouse)
Landscaped Residents’ Garden: Marcus Barnett and The Gardenists
Water Feature in Grand Courtyard: DaeWha Kang Studio
Photography: Courtesy of The OWO and Raffles London at The OWO and James Newton

dpa are proud to be the lighting designers for Cunard Line’s new ship, Queen Anne, which was delivered and set sail in May 2024.  She features much-loved signature spaces and new experiences that showcase classic Cunard style and exciting new design directions.

Working with Carnival UK and world-renowned designers David Collins Studio, Richmond International and Sybille de Margerie under the creative direction of Adam D. Tihany, dpa have developed intimate working relationships that have led to an extremely rewarding design process within a team driven ethos.  Throughout, we have all been firmly focussed on providing designs that are befitting of the Cunard brand and of a vessel that sets the bar for luxury ocean travel in 2024.

A key aspect of the lighting design is to minimise energy use and, with low energy, (all LED lighting now commonplace) we must find further ways to ensure the lighting is as efficient as possible. This is achieved by employing high efficacy light sources in discreet equipment, and architectural detailing that offers both aesthetic and functional benefits. This is combined with the use of a sophisticated lighting control system in the public areas, allowing pre-set lighting scenes to be programmed.  In numerous spaces, the lighting scene selection is linked to the ship’s clock to allow for automated operation ensuring these spaces are presented impeccably, with appropriate light levels to suit the time of day and activity, while reducing energy expenditure.

Client: Carnival UK
Interior Designers: David Collins Studio, Richmond International, Sybille de Margerie, Adam D. Tihany
Shipyard: Fincantieri, Italy
Photography and Video: Courtesy of Carnival UK and Cunard

dpa lighting consultants were delighted to be commissioned by The Beaumont owners to work with the design team on the refurbishment of this very important London hotel. Working closely with The Office of Thierry W Despont, the interior designers, Reardon Smith Architects and Project Managers Gardiner & Theobald, dpa developed appropriately sensitive lighting solutions to the various key public areas and new guestrooms/suites. Inspired by the great hotels of the 1920’s and in an Art Deco building located in the heart of Mayfair and the West End but secluded in a quiet garden square, the property maintains the elegance one would expect of a luxury five-star London hotel.

The architectural lighting is carefully integrated into the building fabric whilst splendid decorative fixtures reinforce the design style and character of the property. Each element is separately controlled and linked to a scene set dimming system changing throughout the day and night to provide the perfect atmosphere at all times. The decorative lighting uses appropriate LED lamps as does the architectural elements to provide an energy efficient scheme. Where practical the existing control system was used and adapted to accommodate the new requirements. The Colony Grill with its artificial roof light has the feeling of day time and then changes to a soft warm glow as night falls. The adjacent Gatsby’s Room adorned with books and dramatic art provides a wonderful space to relax or enjoy light food and drinks. The signature Le Magritte Bar & Terrace further reinforces the Art Deco language with an impressive bar and artwork.

Interior Design: The Office of Thierry W Despont
Architect: Reardon Smith Architects
M&E Consultant: Hurley Palmer Flatt Group
Project Managers: G&T (Gardiner & Theobald)
AV Consultant: LMS AV
Photography: ZAC and ZAC; Helen Cathcart

Dominating the densely populated skyline of Dubai, One Za’abeel is the latest development to add a unique and imaginative first to Dubai’s long list of record-breaking buildings. Dissecting One Za’abeel’s skyscrapers one hundred metres above the ground, The Link stretches to an impressive two hundred and thirty metres in length, whilst its record-breaking cantilever extends sixty-seven metres beyond the development’s main tower. The cantilever is home to eight Michelin-inspired restaurants and the UAE’s longest suspended infinity pool.

Developing the design over the last eight years, dpa were involved in every aspect of the design process. Bringing a multitude of differing skills from our international studios, dpa worked with all designers, architects and stakeholders to deliver a truly stunning world-class development and One & Only’s first urban resort. A multitude of design and pragmatic challenges faced all consultants on an almost weekly basis. From illuminating the infinity pool through to on-site changes to the final late-night commissioning and set-up, dpa were continually involved as part of the design and delivery team, to solve each of the issues.

Entrances, Receptions and Public areas were all treated sympathetically and in line with the interior and brand vision. Subtle and sophisticated colours and textures have been highlighted to provide the warmth and ambience resonant with a hotel of this calibre. Ballrooms are majestic but with the flexibility required of a modern conference and venue environment. Lighting integration within guest rooms has been carefully balanced to maximise the outward views after dark. However, with its plethora of restaurants and late-night destination bar, Sphere, it is the Link Bridge that steals the show.

The building brings a new dimension to Dubai’s iconic night-time identity and one in which dpa are proud to have been an essential and intrinsic part.

Client: Ithra/Mace
Architect: Nikken Sekkei
Interior Design: Denniston, LW Design Group, HBA, Rockwell Group, SquareM, Social F&B by Design
Operator: Kerzner/One & Only
Photography: Gavriil Papadiotis

We are delighted to have been invited by Castelfalfi to work on multiple projects situated within their breathtaking 1,100-hectare estate in the heart of Tuscany.

The first featured project is the new restaurant, Olivina, where we have collaborated with the Designer, Henry Chebaane of Blue-Sky Hospitality. The elegant entrance vestibule invites the guests through the intimate lounge into the main restaurant, where they are greeted by a striking overlapping ceiling feature and layers of concealed lighting integrated within the beautifully crafted furniture. With locally sourced food, stunning panoramic views of the incredible landscape, and carefully coordinated lighting, the new restaurant is a theatre for all the senses.

The second project is the new beautifully renovated Spa where we worked closely with the Interior Designers, Affine Design. The reception is rich with special finishes and features a magnificent artisan pendant. A timber arched walkway featuring concealed lighting leads the guests through to the elegant pool area. The main lighting feature within this space is integrated within the flanking walls, where concealed LED reflects the rolling hills of the surrounding landscape.

Client: Castelfalfi
Designer for the Spa area: Affine Design
Designer for Olivina Restaurant: Blue Sky Hospitality
Spa Operator: RAKxa Integrative Wellness
Photography: Courtesy of Castelfalfi

Michelin star chef Yannick Alléno has brought his modern French Pavyllon restaurant to London’s prestigious Four Seasons Park Lane Hotel. dpa had the pleasure of collaborating with interior designer Chahan Minassian to create a modern and sophisticated lighting scheme for the restaurant, private dining areas, bar and terrace. The tea lounge has additionally been refurbished to match the décor of the restaurant with modernisation of the existing lighting.

dpa’s approach was to bring a subtle and seamless integration of lighting to elevate the dining experience whilst revealing the luxurious fabrics and materials of the beautiful interior design. With the restaurant service running from morning until late into the evening, a combination of precise lighting controls and employment of tuneable white luminaires allowed the perfect scene to be set.  A fresh and comfortable breakfast scene balances the natural light of the morning, shifting to a warmer and elegant setting for afternoon tea or lunch and ending with a sophisticated, intimate dinner and drinks scene.

The sumptuous, curved dining counter and theatrical show kitchen is at heart of the restaurant, with intricate and layered lighting details accentuating the hood and counter. Bar Antoine is centred around an elaborate Murano glass chandelier and undulating dark timber walls with stone artworks illuminated from above and below for a dramatic backdrop to the seating area and spiral staircase.

The existing lighting in the tea lounge has been replaced with modern LED luminaires including tuneable white linear LED to the double height feature coffers and coves, which shift to warmer colour temperatures throughout the day and are in keeping with the ambience of the restaurant.

Please visit www.pavyllonlondon.com to find out more about this project.

Hotel Operator: Four Seasons Hotels and Resorts
Interior Designer: Chahan Interior Design
Architect: Cornforth Architecture + Design
Photography: Courtesy of Four Seasons Hotel London at Park Lane and Pavyllon London

dpa were delighted to be part of the design team for the refurbishment and renovation of the guestroom and suites for Mandarin at the luxurious Emirates Palace Hotel, Abu Dhabi.

Working closely with the Emirates Palace, Mandarin Oriental and the interior designers Champalimaud, we were tasked with modernising the  lighting with latest in LED technology and controls to help promote the elegance and spaciousness of the rooms and suites. All the spaces are carefully balanced in illumination to give the guest a relaxed experience and also flexibility to adapt to different times of the day and evening.

Client: Emirates Palace Company
Operator: Mandarin Oriental Hotel Group
Lead Consultant: KEO International
Interior Designer: Champalimaud
Photography: Mandarin Oriental Hotel Group

Swiss-​based MSC Cruises’ newest venture, delivered in October 2022, comes in the form of this striking 333 metre long, 205,700 gross tonnage, futuristic mega-ship named MSC World Europa. The vessel accommodates up to 6,762 passengers and 2,138 crew over 22 decks and was constructed at the Chantiers de l’Atlantique shipyard in Saint-Nazaire, France. This eco-friendly and efficient ship is powered by Liquefied Natural Gas (LNG), the cleanest fossil fuel, and connects to shore power, recycles water and dampens propeller noise to avoid upsetting marine life. The ship is the first of the World Class series and features state-of-the-art technology with MSC stating the vessel is designed for the future of cruising, the fusion of technology, sustainability and revolutionary onboard experiences.

Made up of 58 mega blocks, this ship is an incredible feat of engineering, featuring a ‘wave’ longitudinal profile springing from the arrow-shaped G-bow and a Y-shaped architectural stern with panoramic views, which leads to the 104-metre-long external promenade, showcasing the record-breaking 11-deck high stainless-steel sinuous dry slide, the longest at sea. This creates a spectacular centrepiece in the evening when the ‘illuminated trees’, a stunning configuration of homogenous LED lines which clad the structural steel, introduce an energetic and dynamic component to the drama of this vast outdoor space. This connects to the internal promenade ‘World Galleria’, which is lined with a mix of restaurants, bars, lounges, entertainment, shops and boutiques. This 3-deck high volume is partially covered by an LED screen ceiling on which are projected UHD images and videos throughout the day and night.

The ship allows for completely distinct zones for different themes, moods and experiences. dpa worked in close collaboration with MSC and the extensive architectural and entertainment team across the plethora of venues, which includes 33 restaurants, speciality restaurants, bars and lounges, to sculpt a vibrant cosmopolitan environment for the varied guest experience. The fully integrated and neatly detailed front of house lighting installation was comprised completely of low energy LED light sources and connected back to an architectural lighting control dimming system. The system is used to achieve the correct balance of lighting layers and intensity according to the activity and time of day, which dpa orchestrated during an extensive setting up period in the weeks prior to final delivery. This included the aiming of all adjustable light fixtures on to tables, seating, furniture, artwork, product and so on; a monumental task that provided a high level of fine tuning and maximised the final lit result.

A selection of these venues are featured here for your enjoyment, including the External Promenade, Indoor Promenade ‘World Galleria’, Mixology, Teppanyaki, Masters of the Sea Pub (which has its own microbrewery, with the special copper vats installed as a showpiece), Panorama Lounge, Luna Park Arena, Sportsplex with its bumper cars and World Theatre.

Owner: MSC Cruises
Builder: Chantiers de l’Atlantique, Saint-Nazaire, France
External Profile of Ship: Martin Francis of Francis Design
Architects/Design Team: De Jorio Design International, AD Associates, SMC Design, YSA Design, Tillberg Design of Sweden, Studio Daz
Photography: Courtesy MSC Cruises, Photographer: Ivan Sarfatti

dpa lighting consultants were immensely proud to be working on P&O Cruises newest ship Arvia, the sister ship to Iona, constructed in the Meyer Werft shipyard, Germany. dpa were working for P&O Cruises in association with Jestico + Whiles, Partner Ship Design and Richmond International, designers of the front of house guest areas for this new 184,700 tonne ship.

Like Iona, Arvia is powered by Liquefied Natural Gas (LNG), therefore significantly reducing carbon emissions.  At 345 metres long, Arvia has an operating capacity of 5,200 guests and 1,800 crew, designed to capture unprecedented panoramic views across the ever-changing seascape, at every available opportunity. She is the first ship of her kind to feature a Sky Dome with retractable roof, spanning a vast performance and recreation area at the top of the ship. Altogether, Arvia is the epitome of a sunshine resort sailing year-round to the warmest climates.

Fleet favourites such as Epicurean, Sindhu, and The Glass House as well Iona icons including The Keel & Cow and The Olive Grove star alongside new dining, retail and interior concepts, including the Grand Atrium which again touches port and starboard in cross section, with window structures that allow an abundance of natural light ingress and views to memorable sunrises and sunsets.  The central staircase area has been re-modelled to house a magnificent contemporary chandelier with dynamic lighting effects to coincide with aerialist ‘show’ performances.  The house lighting control is articulated to respond to the time of day and activity, ranging from energetic atmospheres to more refined, personalised and relaxed ambiances.

Client: P&O Cruises
Builder: Meyer Werft Shipyard, Papenburg, Germany 
External Profile of Ship: Martin Francis of Francis Design
Architects/Design Team: Jestico + Whiles, Partner Ship Design and Richmond International
Photography: Courtesy of P&O Cruises

SIRO Boka Place, Porto Montenegro is the second opening of the wellness hotel brand from Kerzner, which dpa have been privileged to design the lighting for.  SIRO (Strength, Inclusive, Reflection and Original), offers a wellbeing experience for guests and residents alike, with a 96-key hotel sitting alongside 144 managed residences.  We worked closely with Atellior on the interior areas, Holder Mathias Architects and Arhi.pro on the external architecture and Gillespies on the landscape design for this exciting development that adds to the already stunning area of Porto Montenegro.

From the outset of our involvement in the project, it was recognised by the client and design team that lighting was a vital element of the brands well-being ethos.  Guestrooms feature lighting and controls designed to facilitate the needs of guests at all times of the day, from energizing neutral white through to relaxing warm white tones.  This theme carried through to the main public spaces where activities alter between day and night, with the lighting responding accordingly, brighter and fresher from the morning onwards with a subtle shift towards lower light levels by the evening, emulating the natural daylight cycle.  The fitness and recovery labs utilise varying lighting techniques to suit the activity in each zone, from higher ambient light levels and direct lighting in the fitness areas, to softer and more concealed, indirect lighting in recovery areas.

The lighting for the external environment was designed with the nighttime atmosphere firmly in mind, considering that it had to blend with the existing development at Porto Montenegro, whilst defining its own identity, to draw locals and visitors up to the elevated position of the hotel overlooking the marina.

Operator: SIRO Hotels (Kerzner International Limited)
Client: Adriatic Marinas d.o.o. / Porto Montenegro
Interior Design: Atellior
Architecture: Holder Mathias Architects and Arhi.pro
Landscape Design: Gillespies
Visuals: Courtesy of Adriatic Marinas d.o.o. / Porto Montenegro
Photography: Courtesy of SIRO Hotels (Kerzner International Limited)

The Address Sky View in the heart of Downtown Dubai is the latest luxury hotel and residences development to open for Emaar. Two elegant towers are linked at the summit by an architecturally striking sky bridge to offer its guests unparalleled views of Dubai’s city skyline. The interior spaces are generous and modern with emphasis placed on comfort and elegance. dpa lighting consultants were proud to work with Emaar and HBA to help realise an appropriate and sympathetic lighting solution for all for the public spaces, guestrooms and residences.

The lighting design took the direction at the conceptual stage to be unobtrusive and integrated as much as possible, whilst enhancing the focal points of interest for each of the large public spaces. The lighting scheme had to balance the abundance of natural daylight during the day, and respond in the later hours to create a warm and welcoming destination. The guestrooms and corridors interior are treated respectfully with light and employs the use of smart lighting control to follow through the experience of luxury.

Owner: Emaar Properties
Operator: Address Hotels + Resorts
Project Manager: Turner Construction
Architect: Skidmore, Owings & Merrill / Norr Group
Interior Designer: Hirsch Bedner Associates
Photography: Courtesy of the Address Hotel and Ales Vyslouzil

dpa lighting consultants were delighted to be asked to work in collaboration with GA Design, Marriott Hotels and Mori Trust on the first international luxury hotel in Nara, Japan. The new JW Marriott is located a short distance from the Nara Park and ancient temples which provided inspiration for the project. The simplicity of heavy timber beams and stone from the temples and local homes have been reinterpreted by Joanna Biggs, lead Interior Designer for this hotel together with references to the local landscape and culture.

The guests receive a warm welcome with the feeling of a luxury residential home due to the natural interior finishes and warm coloured lamps. The connection with nature is immediate in the lobby such as the panoramic view of mountains surrounding Nara, drawn on the wall behind the reception. The lighting is irradiating to this artwork by colour temperature changing lamps which are programmed to synchronize with the daylight outside.

Client: Mori Trust
Hotel Operator: Marriott Hotels and Resorts
Interior Designer: GA Design
Photography: Courtesy of JW Marriott Hotel Nara, Japan

The Fairmont Taghazout Bay is a coastal luxury five-star resort that sits within the beautiful Taghazout Bay. Its breath-taking views and beautiful gardens link the various hotel and F&B elements with an adjoining Fairmont operated villa complex within the overall site.

The stunning, simple and contemporary Moroccan architecture designed by Abdessamad Achrai (Local Architect) and HKS (Concept/Masterplan), and the soft and captivating landscape designed by Scape Design are complemented by lighting providing both enhancement and theatre to the overall site as well as a practical approach to guest orientation with key features and elements illuminated at night. The elegant interiors designed by Wimberly Interiors connect beautifully with the outside scene, dovetailing with terraces and other spaces to reinforce the seamless inside-outside aspect of the spaces.

The lighting approach was to use a minimal palette of lighting elements in key spaces to enhance the interior material palette throughout. Key elements such as interesting Objet d’art, stunning large artworks, and feature food displays and bars throughout were carefully integrated with lighting to showcase each of the spaces both inside and out.

Operator: Fairmont Hotels & Resorts 
Client: AKWA Group 
Interior Designer: Wimberly Interiors
Landscape Design: Scape Design
Architect: Abdessamad Achrai (Local Architect) HKS (Concept/Masterplan)
Photography: Courtesy of Fairmont Taghazout and Scape Design

dpa lighting consultants had the pleasure of collaborating with Fabled Studio on the lighting design of Hart Shoreditch, London. Drawing inspiration from the area’s rich industrial history, Fabled Studio combined old-world charm and contemporary design to deliver a project filled with beautiful craftmanship, layers of texture and hand-worked copper accents. Guests are welcomed into the hotel with cool textured sandstone walls and soaring stone arches, which are contrasted by the warm statement decorative lighting. dpa worked closely with Fabled Studio in the selection of lamping within decorative elements to create a warm and inviting ambience, whilst minimal architectural lighting adds accents to feature trees, stone arches, and concealed integrated lighting to statement bookcases enveloping the guest elevators.

Leading through to the restaurant, past the statement wrought iron staircase and glowing pendants, the cool textures of the reception are replaced with rich oxblood leathers, exotic veneers and a statement soft oak ceiling, complemented with a continuation of warm decorative lighting. The soft oak ceiling is a reference to the furniture & cabinet makers of Great Eastern Street, with the intricate junctions of each oak beam celebrated with miniature spotlights to enhance the angular rhythmic expression of the ceiling.

Completing the guest areas are meeting rooms and a gym nestled in the lower ground floor of the hotel building. Providing maximum flexibility, Fabled Studio designed a mirror image meeting room which can be divided with sliding panelled timber screens to allow one room to become two. By utilising ceiling coves and bespoke joinery to integrate concealed lighting, dpa were able to add interest and focus to particular elements of the interior, with supplementary downlighting to provide functional light to the tables. Lighting control within the Meeting Rooms, provide the flexibility of controlling both rooms together and independently to provide different scenes depending on the occupancy. Within the gym, functional opal downlights are softened with integrated linear uplighting behind delicate diamond fretwork panels and statement batten wall lights.

Fabled Studio continued the clean and cool palette of colours with copper accents within the guestrooms, which led dpa to combine very warm white dimmable, 2400K downlights and linear lighting, integrated within bespoke joinery and to provide soft uplighting behind the headboard, to compliment the warm decorative lighting.

To reduce energy and maintenance costs a lighting control system was installed in the public areas to give the flexibility required for the lighting to adapt to suit the hotel’s needs throughout the day. The control system installed includes an astronomical time clock that automatically sets the lighting scenes to allow for a smooth transition between day and night and there are control plates within the Restaurant, Reception, and Meeting Rooms to allow for further control of the lighting should the staff wish to change the lighting scene, or raise/lower the light levels.

Hotel Operator: Hilton Hotels and Resorts
Interior Design: Fabled Studio
Photography: Courtesy of Hart Shoreditch Hotel London, Curio Collection by Hilton

The Maslina Resort overlooks the crystalline Adriatic Sea and is one of only a few 5-star hotels in Hvar, a popular island within the Central Dalmatian Archipelago.  The hotel blends seamlessly into its lush pine forest environment and is of a laid-back Mediterranean architectural and landscape language with contemporary French influences, made of noble and natural materials such as the stones of nearby Brač, terracotta and timber.  The project has responded with a synergy and respect for this exceptional location in the magnificent bay of Maslinica, close to the richly historic Stari Grad.

The exterior lighting reinforces the character and personality of this resort, with a carefully crafted palette of lighting effects that serve to complement the linear design forms and materiality.  This is achieved through the placement of neatly integrated and unobtrusive lighting effects, with a lit intensity balanced with the contextual surroundings, buildings and terraced landscape.  To the guest, a feeling of intimacy, atmosphere and high-end luxury is experienced through which the lighting plays an important role.

Developer: Paradox Group
Architect: AALTO
Landscape Architect: AC&T Paysages & Territoires
Interior Design: Léonie Alma Mason
Photography: Courtesy of the Maslina Resort

Set on a stunning crescent bay, Le Barthélemy Hotel & Spa is recognized as the No. 1 Resort in the Caribbean and among the Top 15 Best Resorts in the World by the readers of Condé Nast Traveller.  Saint Barthélemy also tops the list as the Best Island in the Caribbean & Atlantic region, so recognised as one of the best islands in the entire world.  The hotel has a refined, fresh, elegant and restorative personality, with interiors by celebrated designer Sybille de Margerie and cuisine by chef William Girard.  The hotel embraces its chic Parisian characteristics while entertaining a relaxed atmosphere within its luxurious setting of white sandy beaches, devoted to rest, pleasure and relaxation.

The lighting design strives to continue the daytime experience with a personalised scheme, complementing the varying architectural and landscape natural materials, whilst being neatly integrated into the fabric of the design. The end result reveals a soft and atmospheric experience with a palette of well-crafted lighting components, completely synchronised with the context of the surroundings.

Owner: Champagne Hospitality
Interior Design: Sybille de Margerie
Electrical Consultant: E.R.T.E.C
Project Manager: Alain Gerard
Photography: Courtesy of Le Barthélemy Hotel & Spa

We were very fortunate to work with the Client and Operator, Josephine Hughes at the Mullingar Park Hotel in County Westmeath in Ireland along with Interior Designer Angela Amesbury. Together, they have created a beautiful destination hotel where dpa have been engaged in a number of areas of the hotel redevelopment.

The reception and lobby is the newest area to receive a transformation and is now the focus and first impression from a guest perspective of the luxurious interior space complemented by dpa’s lighting design.

The hotel is adorned throughout with stunning flower displays with the central display to the lobby being a particularly important focus and feature. New lighting was integrated within the large crystal chandelier to both accent the floral display table and provide sparkle to the fixture itself.

Additional highlights to the interior include lighting integrated into the various interior architectural details within the ceiling and walls to enhance and expose the materials with soft washes of linear LED lighting.  This is complemented with punches of accent light to individual details, features, and art pieces. Carefully selected picture lights also help to provide further focus to the decorative collections around the perimeter.

Finally, and important for the transition of the main entrance to all facilities, an architectural lighting control system was used to provide the appropriate mood and ambience of the spaces creating bright and inviting spaces during the day and more moody, cosy spaces within the open areas at night.

Client/Operator: Mullingar Park Hotel
Interior Design: Angela Amesbury
Photography: Noel McIntyre – Motion Picture Media

dpa lighting consultants are proud and privileged to have worked for P&O Cruises in association with Martin Francis of Francis Design, Jestico + Whiles, Partner Ship Design and Richmond International, to design the front of house and cabin lighting for this new 180,000-ton vessel, Britain’s most environmentally conscious cruise liner being powered by Liquefied Natural Gas (LNG), a clean burning fossil fuel that addresses new maritime rules on harmful emissions.  Cruise ships of this scale are incredible feats of engineering and at 344 metres long, IONA is also Britain’s largest with a normal operating capacity of 5,200 guests and 1,800 crew, designed to capture unprecedented panoramic views across the ever-changing seascape, at every available opportunity.

Through close collaboration with the client and design team, the exterior and interior architectural lighting design has been developed and harmoniously integrated within the plethora of passenger spaces, to enhance the quality of the guest experience.  The lighting control is articulated to respond to the time of day and activity, ranging from energetic atmospheres to more refined and personalised ambiances.

The Grand Atrium is the centrepiece of the ship and spans port and starboard in cross section allowing a unique passenger connection to the sea through the vast glazed elevations, which provide an abundance of natural light ingress and views to memorable sunrises and sunsets.  In the evening, the window structures are lit and synchronised with musical and aerialist ‘show’ performances in spectacular fashion.  The atrium’s elegant sinuous silver staircase is sculptural and effortlessly links together the themed food and beverage spaces that connect to it.  Above the elegant staircase, a backlit ceiling feature presents a dramatic capping to the atrium, with the illusion of the ‘sky’ hovering above.  The monumental glazed roof structure of the SkyDome is breathtaking and is the lid to a vast performance and recreation area at the top of the ship.

Client: P&O Cruises
External Profile of Ship: Martin Francis of Francis Design
Architects/Design Team: Jestico + Whiles, Partner Ship Design and Richmond International
Photography: Courtesy of P&O Cruises

The newly-refurbished Michelin starred Royal Champagne Hotel overlooking the UNESCO World Heritage listed vineyards of France’s Champagne region, is a former post-house where French kings would stop along their way to coronations in Reims.  The Condé Nast Traveller Top Resort in Europe 2020 winner comprises a modernist wing and a restored 19th-century Coach Inn and has a refined, fresh, elegant and restorative personality, with interiors by celebrated designer Sybille de Margerie.

dpa worked closely with the French landscape architect’s AC&T Paysages & Territoires to develop an exterior landscape lighting strategy to compliment the modern Parisian styled landscape, with linear planting set within sinuous planting beds.  The lighting design was knitted into the fabric of the exterior and included a slender timber post with integrated downlight, to provide rhythm and articulation to the circulation.

Owner: Provital
Architects: PACE
Landscape Architect:  AC&T Paysages & Territoires
Interior Design: Sybille de Margerie
Project Manager:  Ramsey Krause Ltd / MACE
Photography:  Courtesy of Royal Champagne

The Ritz-Carlton Hotel in Pune is the latest addition to the prestigious Ritz-Carlton Hotel chain. The strong, modern and minimalistic external architecture, characterised by clean lines, glazed façades, and the unadorned, monumental entrance creates a unique contrast with the more decorative, classic, and soft interiors. The interior style is a modern, chic and luxurious re-interpretation of the traditional Indian architectural and decorative themes. dpa lighting consultants were delighted to work with Panchshil Realty, Madhav Joshi and Associates, and Bangkok-based interior architects PIA to develop sympathetic and appropriate lighting solutions for both interior and exterior environments.

The lighting approach for the external illumination of the hotel follows this stylistic oxymoron. A very modern graphic line of light on the façade emphasises the clean style of the architecture. A unique line of light, starting from the Ritz-Carlton Logo, wraps around the building almost embracing it, and visually leads the guests towards the port cochere’s triple-height entrance. The main lobby features two enormous oversized chandeliers that glow in their glory and create a subtle and elegant sparkle visible from a distance when approaching the hotel. The main all-day dining restaurant features four different restaurants: Asian, Italian, French patisserie, and Indian. Each restaurant area within this large and voluminous space has individual lighting, which both accentuates the features of each space and visually guides the guests in their journey through this culinary experience. Ukiyo restaurant, on the first floor, is the first Japanese restaurant in Pune, and is dramatically lit in order to enhance the texture of materials and create a rhythm of light and shadow. The hotel also features a magnificent spa, two monumental ballrooms, meeting rooms, and, on the top floor, executive and private lounges, and a rooftop bar. The guestroom lighting treatments contribute to creating a calm and welcoming environment for a classic and timeless luxury experience.

Owner: Panchshil Realty, Pune, India
Operator: The Ritz-Carlton
Project Manager:  Panchshil Realty, Pune, India
Architect / Landscape Architect: Madhav Joshi and Associates, Pune, India
Interior Designer for the Public Areas: PIA Interior, Bangkok, Thailand
M&E Consultant: Panchshil Realty, Pune, India
Photography: Courtesy of The Ritz Carlton Hotel and Panchshil Realty

Situated on West Beijing Road in the heart of the Jingan District, Shanghai’s cultural and business centre, the 68-floor, 491-styled guest room St. Regis Shanghai Jingan hotel offers guests stunning views across the city and ease of access to explore Shanghai’s storied past and energetic present.

The hotel’s elegant interiors in combination with the integrated lighting layers, create a harmonious ambience by combining traditional English and Chinese palatial styles with elements of Chinese art and culture, such as calligraphy and handcrafted gold foil paintings. Five glass sculptures by world-renowned glass sculptor Dale Chihuly are featured in the hotel’s public space, together with the signature chandeliers of the Great Hall and Drawing Room.

dpa were tasked with developing the front-of-house lighting design concept and detailing this for the local project team to then implement.  The areas include the atmospheric ground floor St. Regis Bar, Champagne Bar decorated with the St. Regis mural of Chinese landscape painting inspired by artist Zhao Bo-Ju from Song Dynasty, the Yan Ting Chinese Restaurant with its private dining rooms, and Seki-Tei Japanese Restaurant with feature live cooking station.  The public spaces are a blend of clean crisp architectural lighting components and decorative lighting pieces, which typify the interior lighting scheme.

Hotel Operator: Marriott International – The St. Regis Shanghai Jingan, China
Photography: Courtesy of The St. Regis Shanghai Jingan, China 

dpa lighting consultants were delighted to have attended a final commissioning visit for the external façade lighting of the iconic Waldorf Hilton Hotel in Aldwych. Working alongside Robert Brown Architects, dpa were appointed to complement a complete façade renovation project and breathe new life into the fabulous Edwardian architecture. Built in the 1800’s, and now sitting amongst London’s vibrant theatre district, the Waldorf Hilton has been rejuvenated, taking its rightful place amongst the adjacent players in the night-time landscape. Using the latest in LED lighting equipment, dpa composed a hierarchy of light which emphasises the scale and ornamentation of the façade. The overall lit effect has been carefully curated to sympathetically highlight the façade’s main features and reveal it’s character, using the minimum power.

The upper crowns of the building have been addressed, and gently emphasised using Linear LED set in a discreet detail. The decorative urns, cherubs, window reveals and columns at high level have all been sensitively illuminated with projectors demonstrating excellent optical control to ensure a minimum of light pollution. At the mid-level, the grand central columns have been illuminated on both sides with LED projectors, creating a colonnade of light. The projected, square columns on either end of the façade have been front lit, in contrast to the adjacent colonnade, giving subtle animation and character to the overall appearance. At the low level, very warm white colour temperatures have been used within the decorative lanterns and entrance canopies, to create a welcoming atmosphere for arriving guests, mimicking the gas lighting lanterns that would have originally adorned the façade. The lower area of the façade utilises dimming technology to balance the external lighting with the interiors, allowing the lighting of the inside and the outside to connect and complement each other.

The renovation has allowed the real beauty of the historic façade construction to sing, whilst reducing the ongoing energy consumption and maintenance requirement for the client.

Hotel Operator: Hilton Hotel Group
Architect: Robert Brown Associates
Electrical Contractors: RP Bray
Main Contractor: Stone Edge Construction
Photography: Courtesy of Robert Brown Associates

The Hilton Hotel in the heart of Cologne City has undergone a dramatic and creative renovation to its reception lobby and ground floor areas with the addition of the Pigeon Post Bar & Eatery. General Manager, Martin Soerensen played a significant role in driving the project from site during the recent difficult times along with Project Managers Chandler KBS and the Hilton Interior Design team.

The new spaces are connected as a culinary social hub as open and semi-open spaces visually connecting with each other.

The interiors of the restored heritage building have been designed by the creative London-based Interior designers THDP. The site was once home to Cologne’s postal savings bank, so a sophisticated and slick vintage design ethos was created by THDP, with a contemporary interior featuring interesting and quirky design elements moulded into the fabric of the spaces.

The reception and feature bar are at the heart of each space and provided excellent opportunity for interesting lighting integrated to enhance the interior elements and surrounding space. Decorative lighting elements help further to provide accent and interest throughout.

Finally, and importantly, an architectural lighting control system was used to provide the various important transitions to the mood and ambience of the spaces creating bright and inviting spaces during the day and moody, cosy spaces at night.

Client/Operator: Hilton International
Interior Designer: THDP
Project Manager: Chandler KBS
Photographer: Stefan Bunkofer

dpa lighting were delighted to provide the lighting design consultancy on the new W Hotel Resort and Spa in Muscat, Oman. dpa worked with the client OMRAN, and the design team including local architect COWI, interior designers P49 Deesign in Bangkok and The Rockwell Group in Madrid, plus landscape designer LMS International Landscape Architecture in Dubai. The W Muscat is a very large beach front resort property with 280 guest rooms and suites, five very individual F&B outlets, Ballroom and meeting rooms, large spa and gym, roof top destination bar, and extensive landscaped gardens. The scope was for all FOH areas of the interior and exterior of the property. As with all W brand hotels there is a very high level of design and contemporary feature elements, and this required dpa to develop many custom integrated lighting elements and collaborate on many feature decorative luminaires. The concept combines local Omani heritage with high contemporary design. There is a strong use of colour and decoration, and lighting played a crucial part on all areas of the project to emphasise and enhance the design concepts. Lighting controls played an important part also to build in subtle light dynamics and colour change where appropriate.

The guest rooms are stylish and restrained with relatively subtle feature elements and colour. The suites become more adventurous and this develops into the public areas for a visually exciting and, at each turn, surprising and stimulating  experience. The level of design consideration across the whole project is extremely high and dpa enjoyed the challenges of designing the lighting solutions to suit. Overall, the project took seven years from concept to completion.

Client: OMRAN
Project Architect: COWI, Muscat, Oman
Interior Designers: P49 Deesign, Bangkok, and The Rockwell Group, Madrid, Spain
Landscape Architect: LMS International Landscape Architecture, Dubai, UAE
Photography: Courtesy of W Muscat, Oman

Reachable only by boat, and with no cars in sight, Jumby Bay Island is a world unto itself. Set within 300 acres of lush palm trees, white powdered beaches and surrounded by turquoise blue oceans, Jumby Bay is an extensive resort set on a private island located off the coast of Antigua. Named after the Antiguan word ‘jumbee’, meaning playful spirit, this island retreat is the embodiment of rarefied yet relaxed luxury.

dpa worked alongside Interior Designers Dennis Irvine Studio in the redesign of The Estate House and key F&B Outlets. Dennis Irvine Studio have acknowledged the island’s history, location, and spirit through the thoughtful use of materials, colour, furnishings and local artwork. The character of the spaces has been carefully considered with the decorative lighting making a key statement and aiding to the ambience both during daytime and at night.

Interior Design: Dennis Irvine Studio

dpa were fortunate to collaborate with world renowned Zaha Hadid Architects (ZHA) on The Opus by Omniyat, home to the new ME Dubai hotel, in the Burj Khalifa district in Dubai, UAE.

For dpa, the project spanned several years from concept to completion with various interesting challenges to illuminate such a unique and complicated piece of architecture.

The building was conceived by Zaha Hadid back in 2007 and notable to the ZHA design was the balance between solid and void. The design represents two towers that have converged as one, to a cube with the centre ‘eroded’ to create a stunning and contrasting void. This void is an important volume and canvas for the lighting intervention and solution to the internal ‘skin’ of the building’s void.

dpa’s challenge was to develop a unique and visually interesting lighting scheme to complement and enhance the architecture both inside and out. A critical design consideration was to ensure that the lighting equipment did not detract from or compromise the beautiful smooth flowing form of the internal void. Maintenance and energy were also important considerations as well as the infrastructure and integration into such an elegantly detailed façade.

dpa collaborated closely with ZHA and the other team members along with Vexica to develop a unique product to integrate seamlessly into the façade of the void. By day, the building’s façade reflects its surroundings like a monumental mirrored sculpture; whilst at night, the void is transformed using 5,000 individually controllable 1.5W LED ‘points’ of light providing a sophisticated and dynamic lighting installation. Using DMX lighting controls enabled unique tailoring of the content with the LED ‘pixels’ as a creative tool to paint with light across the inner void façade.

Completed: 2020
Client: OMNIYAT
Architect: Zaha Hadid Architects
Photography: Laurian Ghinitoiu

The Corinthia London has been focused on maintaining their reputation as one of London’s finest hotels in 2018, having recently refurbished a series of their largest suites.  dpa were invited to work alongside GA Design to transform the interiors of the existing suites, to create luxurious new spaces with a sophisticated residential character. The London Suites have been formed by two smaller suites to create a new entrance hall as well as new living and dining rooms, whilst maintaining the existing generous bedroom and bathroom spaces.  The Garden Suites exploited their existing volumes, with a split living/dining room from the bedroom.

In keeping with the residential concept, low-level decorative lighting elements can be found throughout to provide a sense of comfort and warmth at each area of guest interaction.  Simple warm white coffer lighting compliments the excellent daylight received in both suite types throughout the day.  This is then reduced at night time, when the decorative lighting becomes more prominent.  Integrated lighting to shelves and picture lights throughout emphasise the art and accessories, which provide the playful colour within each room.

The existing lighting control arrangements were retained to ensure familiarity for returning guests.  With two pre-set scenes in each space as well as toggle features and engraved buttons, the lighting controls are also intuitive for new guests to the hotel.  Careful coordination and testing of new LED light sources was needed with the existing equipment to ensure smooth dimming to low light levels could be achieved.

Since completion, the new London and Garden Suites have been very well received by guests and provide a further asset to the hotel.

Client: Corinthia London
Interior Design: GA Design
Photography: Courtesy of Corinthia London

The Hilton Imperial Dubrovnik stands proud looking over Dubrovnik’s historic Old Town. The hotel is set in a grand building steeped with history, originally built in 1890. Therefore, it was a great pleasure to be appointed by Hilton to collaborate with Goddard Littlefair to redesign the Lobby Reception and the Lobby Lounge Bar.

When entering the hotel you are greeted by an elegant Reception Lobby with a very striking lighting feature suspended from its high ceilings. The architectural lighting is minimal and discreet, providing good functional light as well as highlighting key features such as the colourful artwork behind the desk. Together with the low level lighting integrated within the joinery and the decorative wall and table lights, the lighting provides a warm, welcoming space.

Leading off the Reception, a few steps takes you to the Lobby Lounge. The Lounge has a luxurious feel, the drapery has been lit with mini ceiling recessed downlights and the antique mirrored archways illuminated with floor recessed uplights. Multiple layers of integrated lighting has been carefully coordinated into the display shelf dividing the Lounge from the Bar, with a beautiful feature chandelier taking centre stage.

The Bar with its blue ceiling and large central pendant has a masculine feel but with the addition of subtle detailing, including the illuminated back bar and the uplighting from the perimeter panelling, it becomes a well-balanced, refined space, where you could easily pass the evening hours away.

dpa are very excited to be continuing to work at the hotel with Goddard Littlefair on the next phase which includes the renovation of the Restaurant on the ground floor and the external spaces.

Operator: Hilton
Interior Design: Goddard Littlefair
Project Manager: Davor Poropat – Abilia d.o.o
Photography: Gareth Gardner

The Juliet Rose Bar at the Hilton Munich City has the Rose at the heart of its theme, side by side with the botanics of the beverage and food menus. There is a spirit of alchemy in the interior both for the design and purpose, with the large bar being the focus of the space where the theatre of signature cocktails are accented with perfectly placed and coordinated light to create drama and focus. The interior adapts through the day from morning to late into the evening with a warm and inviting atmosphere, created with very warm lighting elements and lamps which are dimmed low at night to create the desired and appropriate ambiance.

The interiors have been designed by London-based Interior Designers Goddard Littlefair with dpa working closely with them on all aspects of the lighting. Each lighting element was carefully considered and placed to enhance the space and provide the appropriate atmosphere.

Operator: Hilton Hotels & Resorts and Juliet Rose Bar
Interior Designer: Goddard Littlefair
Photography: Fanning Tseng – Yes! Please Enjoy Photography

We were delighted to be commissioned by Corinthia London to work with David Collins Studio on the new Kerridge’s Bar & Grill at the Corinthia, which has already received fabulous reviews and is clearly one of the most important restaurant openings in London this year.

David Collins Studio worked closely with Tom Kerridge to transform the space into a sumptuous and atmospheric dining room and bar that was in keeping with the whole ethos of Britishness that Tom wanted for his first restaurant in London.

dpa worked very closely with Simon Rawlings and the team at David Collins Studio from the concept to the final setup, crafting the lighting design. Painting the ceiling dark green and removing the huge chandeliers that were in the space was carefully considered to change the emphasis of the room, bringing all the life, decoration and sparkle down to the lower human levels of both the dining room and bar area. Additional layers have been added with art including two large bronze sculptures by Beth Cullen-Kerridge and three pieces by Robi Walters, as well as the introduction of illuminated gantries over the bar and rotisserie areas.

Each table, the artwork, and bar are lit by a series of narrow beam spotlights above apertures in each ceiling bay. At low level there are various decorative lighting elements and integrated architectural lighting throughout the spaces. Each component is separately controlled and dimmed to create the perfect balance visually in the space day and night. As with many of our projects candles are as important, if not more important than all the other lighting elements providing that soft dancing light across the tables and brushing people’s faces with a warm glow. The whole space has a beautiful softness and warmth both during the day and at night.

Client: Corinthia London
Interior Design: David Collins Studio
Artwork: Beth Cullen-Kerridge and Robi Walters
Photography: Cristian Barnett and Kensington Leverne

Mandarin Oriental Jumeira, Dubai is a newly constructed, 5 Star resort style hotel located on Dubai’s Arabian Gulf shoreline.

Over a period of 4 years, dpa worked in close collaboration with the Client, Operator and Design Team WASL Group, Mandarin Oriental Hotel Group, Architects DAR and Interior Designers Design Wilkes, Silverfox and Opaal Interiors to design the lighting solutions for all public FoH areas of the Hotel, internally and externally.

Interior Design for the Guestrooms, Public Areas and Ballroom facilities was undertaken by Design Wilkes whilst the Interior Design for the Royal Penthouse was completed by Opaal Interiors.  Silverfox Studios provided the Interior Design for the Spa and Fitness Centre and the Speciality Restaurants, The Bay, Tasca and Netsu.  Landscape design was courtesy of 40North and Cracknells.

As part of the design brief dpa worked closely with all parties from initial conception stage, ensuring that the lighting design was cohesive throughout the hotel, and well integrated within the Interior Design and Architecture.

dpa followed the project through to the construction stages, maintaining a regular presence on site to ensure the designs were fully understood and coordinated with the various contractors, suppliers, consultants and site teams.

Whilst all spaces are special in their own way, the most impactful moments within the Hotel occur in the Main Lobby and within Netsu Restaurant.

The Main Lobby is very important, forming the first impression of the Hotel for arriving guests and visitors.  At 12 metres tall, it provided a challenge to ensure that the lighting was sufficient to adequately illuminate the space during daylight hours, with the dimming range to provide subtlety and ambience after dark.  A discreet, linear, ceiling recessed system was designed and specified, allowing high output linear LED luminaires to be installed in a way which matched the rhythm of the architecture and the ceiling.

At ground level, there is a colonnade of 14 Light Trees, designed by Design Wilkes and Preciosa, with technical and aesthetic input from dpa. The Trees feature approximately 900 individually addressed LED light points, illuminating hand blown glass leaves. The leaves are programmed to produce dynamic ripples of light, individually varying their brightness to create differing effects. The arrangement of the colonnades leads the eye along the central water feature, and through to the landscaped, beach adjacent courtyard and lap pool.

Within Netsu, a signature restaurant on the ground level, Silverfox Studios produced an industrial aesthetic, with a combination of rugged and natural materials. The brief was to create a theatrical dining experience, to use the central open Robata kitchen as a ‘stage’.

In response to this, dpa implemented a series of suspended lighting truss rigs, upon which were mounted theatrical RGBW projectors, with variable beam angles and focussing.  These projectors were used to provide warm white intensity at the points where food is displayed and served, and dramatic coloured accents around the space.  RGBW linear floodlights were mounted on top of the rigs to provide a coloured wash of light to the MEP service at high level, accentuating the height and industrial aesthetic of the space.

Owner: WASL Group
Operator: Mandarin Oriental Hotel Group
Project Manager: DAR
Architect: DAR
Interior Designer for Public Areas: Design Wilkes
Interior Designer for Spa and Restaurants: Silverfox Studios
Interior Designer for the Royal Penthouse: Opaal Interiors
Interior Design Coordinators: PMQ
Landscape Consultants: 40North and Cracknells
MEP Consultant: SEED Engineering
Photography: Ales Vyslouzil and Preciosa Lighting (Lobby Photos) and Alex Jeffries Photography Group and Mandarin Oriental Hotel Group
Video Link: Courtesy of Mandarin Oriental Jumeira, Dubai

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Owner and Client, Parkland has recently launched South East China’s newest 5 star hotel to become the latest jewel in the Shenzhen Bay area.

dpa were very proud to be part of the design team under interior designer LW Design Group who were responsible for the interior Public Areas, F&B, Spa and Guestrooms, and GA Design International who were responsible for the top three floors of the building where the Chinese Restaurant, Private Lounges and the Signature Long Bar are located.  dpa were involved from the very outset of the project from concept through to completion and final setting-up stages on site.

The interiors are large spaces with a contemporary Chinese feel employing rich materials, artwork, and finishing. The lighting needed to respond to the interior design and enhance the focal points of interest, whilst being inviting and conveying a sense of luxury typical of a Raffles hotel. All lighting equipment was locally sourced and detailed within the interior fabric to be as integrated as possible.

Owner and Client: Parkland
Operator: Raffles Hotels & Resorts
Project Manager: Parkland
Interior Designer: LW Design Group and GA Design International
Photography: Courtesy of Parkland and Raffles Hotels & Resorts

The Langley is a grand country manor hotel sitting in a former royal hunting ground and with landscaping originally designed by England’s greatest gardener, Lancelot ‘Capability’ Brown.  Located in the Langley Park estate, a 40-minute drive from the capital, the hotel comprises two buildings – a historic mansion once the former estate of the Duke of Marlborough, and a Grade II-listed 18th century building formerly used as a stables and brew house. The hotel’s boutique selection of 41 exquisite rooms and suites are designed by Dennis Irvine Studio with the height of sophistication and refinement in mind.

dpa were commissioned with designing the lighting for all public front of house and guest areas as well as all external lighting to both the buildings and landscaping. Closely working alongside the interior designers Dennis Irvine Studio, architects Gibberd, and landscape designers Colvin and Moggridge to achieve a comprehensive and coherent scheme when moving throughout the property.

The Langley Spa, a state of the art subterranean 2,500sqm world-class wellness centre features an indoor pool, thermal areas, hammams, relaxation lounges and five expansive treatment rooms. A specially designed fitness suite by leading personal trainer and author, Matt Roberts with technologically advanced systems and equipment.

As a brand new facility, the spa did not have the same heritage listing restrictions as the other areas of the property do, and as such a considered approach creates a calming environment that pays homage to the adjacent Palladian mansion with a contemporary twist. As a subterranean space, the artificial lighting is more crucial than ever in creating a suitable environment. The use of concealed light sources, warm colour temperatures and a sophisticated lighting control system ensures the guest experience is second to none.

Owner: City and Country Hotels
Operator: Marriott International
Project Manager: BTP Group
Architect: Gibberd
Interior Designer: Dennis Irvine Studio
Landscape Consultants: Colvin and Moggridge
Photography: James Balston Photography

Located in the Greens & Views area of Dubai, the recently opened Zabeel House carefully reflects its position within one of the cities more diverse residential areas.

An urban oasis with a fresh contemporary take on relaxed, informal luxury, the lighting to Zabeel House manages to both amplify and distil the best attributes of its surroundings.

The large lobby area acts as a transitional space, helping to promote the high energy and vibrancy of this new development and its clientele. Spaces are functional with an emphasis on quirky objects such as oversized ants, vintage cameras and giant folded paper plane sculptures.

Lobby spaces diffuse into the Bar, decked out with lush greenery that creates dappled and diffuse hiding spaces and the Social Club dining area, vibrant by day and more opulent during the hours of darkness.

Guestrooms and corridors area treated simply, with focus maintained on quality of materials and textures.

The Business Centre offers a sophisticated and flexible environment in which network and conference  go hand in hand. Softer illuminated spaces rub shoulders with large scale glass clad meeting rooms offering a more functional approach to light.

The Gym, Health Club & Treatment Rooms are all versed in the same narrative, employing natural wood tones that contrast and complement with the more robust materials of wire mesh, breeze block and brick.

Lah Lah, the edgy Pan Asian kitchen/bar brings this design language to it’s logical conclusion. Lush greenery helps to break up the playful use of semi industrial materials whilst the lighting responds through varied states during the day and night helping to create a vibrant space that is equally at home hosting raucous after work drinks, relaxed dining or long lazy lunches.

Completed: February 2019
Client: Onyx Line/Jumeirah Group
Interior Designer: LW Design Group
Photography: Natelee Cocks

The Wellesley Hotel in London is a special property located in Knightsbridge offering the highest quality service and facilities. The recent addition of glass pavilions at the front of the property to provide additional bar and smoking terrace space is now complete, but to make this even more exclusive, the artist Lee Simmons was commissioned to produce an installation that provided unique decoration and a visual screen. The solution was a series of cast bronze buds that produce a three dimensional textured screen wall. The lighting solution to the exterior component is a series of small LED uplights, the positioning of which was very carefully considered to expose the three dimensional nature and texture of the buds. Inside the pavilion a low level linear concealed skirting light floats the wall, coupled with uplighting to the buds as on the outside. A gas fire, wall light and lighting to the artwork completes the spaces.

Operator: The Wellesley Hotel, London
Concept Architect: Ken Shuttleworth, Make Architects
Project Architect: Gibberd Ltd
Artist: Lee Simmons

Ten Trinity Square London was originally built as the Port of London Authority HQ and is an outstanding example of Beaux-Arts Architecture. The building was opened by the then Prime Minister, David Lloyd George in 1922. The property has undergone a comprehensive and meticulous restoration and upgrade and now houses a Four Seasons Hotel, Residences and a Private Members Club.

dpa has worked on the project for almost four years carefully coordinating with the owner Reignwood Group, Four Seasons Hotels and Resorts, and the professional team. dpa have been responsible for the lighting design of the exterior building including the Great Tower, all Public Areas/UN Ballroom, Guestrooms, Suites, Apartments, The Club, the Spa and two signature restaurants La Dame de Pic and Mei Ume. The lighting design has been sensitively conceived and implemented to enhance the existing architecture and new parts of the structure.

Owner: Reignwood Group
Operator: Four Seasons Hotels & Resorts
Project Manager: Gardiner and Theobald LLP
Architect: Aukett Swanke
Interior Designer for the Public Areas: 4bI & Associates
Residential Base Build Interior Designer: The Gallery, HBA
Landscape Architect for Presidential Garden: Randle Siddeley
M&E Consultant: Waterman Group
Photography: Courtesy of Four Seasons Hotels & Resorts

Mandarin Oriental Hyde Park, London has undergone one of the most extensive renovations in its glorious 115-year history, designed to solidify the hotel’s position as one of the best hotels in central London.

The design team consisted of Joyce Wang Studios for the Reception, Guest Rooms and Penthouse, Tihany Design for the Spa, Bar and Brasserie and Purcell Architects overseeing the project and renovation of the Façade and Courtyards. dpa worked closely with the individual designers, to overcome the challenges presented in the renovation of a historic build, which continued to operate as a hotel throughout the construction phase.

The first phase of the renovation includes the launch of 95 new and luxurious guest rooms and suites in the Knightsbridge wing. In addition, the hotel’s classic entrance, notable main Lobby, and reception lounge have been reconfigured and redesigned to maximise natural daylight, and the building’s iconic façade has been revitalised.

The second phase of the renovation on the Hyde Park side of the building encompasses the complete restoration of all guest rooms and suites facing the park. In addition, two new luxurious and expansive penthouse suites, with spacious private terraces offering extensive views of London’s skyline and the peaceful park, will be added. In keeping with the  contemporary pool and fitness area,  Adam  D.  Tihany was appointed to oversee the design of the next-generation spa at Mandarin Oriental. This was significantly expanded to  include couples’ facilities, specialist consultation areas, and an exclusive Mandarin  Oriental  Spa  Studio concept, offering powerful and effective express beauty and grooming treatments for both men and women. The splendid Loggia, the ballroom will also undergo a soft refurbishment throughout this second phase.

Client: Mandarin Oriental Hotels
Operator: Mandarin Oriental Hotel Group
Project Manager: WTP
Architect: Purcell
Interior Designer: Joyce Wang Studio & Tihany Design
M&E Consultant: Mott Macdonald

The Mandrake is located in the heart of Fitzrovia, one of the most vibrant and diverse areas of London. The hotel extends across two buildings, previously used as offices, connected by a series of balustrades and a hanging garden opening onto a central core. The design team undertook a deep intervention in order to create a unique environment, articulated across several experiences and still perceived as a whole unique exceptional entity.

The actual name of the hotel refers to the officinal plant, Mandrake, and to its metaphorical values and oneiric and medicinal properties. This leitmotif is articulated across the whole project, in order to immerse the customers in a synaesthetic, embracing new experience. In this instance, the light plays a fundamental role in emphasising the perception of the space, creating focal points and cutting out discrete shadows of mysterious and sensual pockets of darkness.

The “journey of light” begins from the entrance. A very discrete and quite dark tunnel, dramatically lit by a rhythm of pools of light and uplights. The tunnel represents a cathartic initiation to the Mandrake experience. At the end of the tunnel, the real oneiric experience begins. The lobby is lit with an astonishing candle chandelier. Accent lighting is provided to the immense art collection of the hotel. Emphasis is created onto the two bars and adjacent restaurant, by focusing the light onto key elements of the space and revealing the artworks. Luminaires have been masterfully integrated within the joinery in the whole hotel, in order to have the most discreet and contained lighting experience possible.

Going up to the upper floors, where the guest rooms are, another masterpiece artwork is revealed in the lift. This piece, several metres long has been created for and installed within the lift core, and carefully illuminated from within the lift core itself.

The above vernacular and principles have been extended to the guest rooms, the suites and the monumental penthouse.

Operator: Pistache Hospitality Group
Project Manager: Cushman & Wakefield
Architect: Manalo & White
Interior Designer: Tala Fustok / Culture in Architecture
Services Engineers: Yes Engineering
Photography: Courtesy of The Mandrake

Set in an 800-year-old traditional garden in Japan’s historic imperial capital, the Four Seasons Hotel Kyoto is enviably located at the foot of Higashiyama Mountain in the city’s temple district with numerous historic landmarks surrounding it.  The light-filled hotel affords breath-taking views in every direction, from the neighbouring Kiyomizu-dera Temple to its own 2.5 acre pond and gardens.

The hotel boasts traditionally-inspired yet contemporary styled interiors by Hirsch Bedner Associates, Singapore, which include creations of Japanese artisans – including washi-paper lamps, fusuma screens and urushi lacquerware.  Patterns of light and shadow emanate from the large windows, and the guests are freely connected with the mesmerising and mystical external spaces.

dpa were invited to develop and co-ordinate the implementation of the concept lighting design prepared by Lighting Planners Associates, Japan, working in close collaboration with the developer Berjaya, Four Seasons and HBA.  The lit result provides visual clarity to the materiality of the interiors and an overriding aesthetic quality for guests to enjoy.  Dimmable warm white light sources were used extensively throughout the project and the combination of architectural lighting and Japanese decorative elements blended seamlessly.

Owner / Operator: Four Seasons Hotel Kyoto
Developer: Berjaya
Interior Designer:  Hirsch Bedner Associates, Singapore
Concept Lighting Design: Lighting Planners Associates, Japan
Photography: Courtesy of Four Seasons Hotels & Resorts

The Fairmont St Andrews has recently been renovated with a fresh and stylish new interior design by RPW Design. The guest rooms, suites and public areas including entrance, reception, lobby, bar, and impressive atrium which also houses the main hotel restaurant have all had a dramatic facelift with deep sophisticated tones echoing the local setting and landscape character. The Client Kennedy Wilson and operator were open-minded and supportive of the design from the start and the finished product is a testament to the project team collaboration, which included Project Managers Fitzsimons and local Architects Hurd Rolland.

The guest experience has significantly changed with a moody and thoughtful interior embracing rich materials, furniture, and artwork. The lighting responds by accenting the interesting features and concealing lighting to expose interest, depth, and drama from the hotel entry to the restaurant atrium. Within the 50M atrium, the key feature is the Zephyr Chandelier by George Singer (meaning soft gentle breeze) which fills the space with soft kinetics and shadows created by layers of lighting from both above and below. Colour has been utilised for parties and events as the Atrium doubles as a huge event space when not used as a Restaurant and Lounge.

Client:  Kennedy Wilson
Operator: Fairmont Hotels & Resorts
Interior Designer: RPW Design, London
Project Manager: Fitzsimons, Glasgow
Architect: Hurd Rolland, Burntisland
Electrical Consultant: BGL Contracts, Glasgow
Atrium Chandelier: Designed by George Singer, London
Photography: Sim Canetty-Clarke

dpa Dubai were the appointed Lighting Consultants for the Saadiyat Beach Club the first beach club on the island of Saadiyat, Abu Dhabi. The Beach Club was designed to celebrate fine living, culture, well-being and health in a uniquely Arabian way.

LWD Architects created a contemporary and elegant building that aligns more with European styles than the traditional Arabic structures often found in the UAE. The Club offers its members and day guests access to world-class internal and external facilities such as a spa, gym and exterior pool with 8 pool cabanas, making it one of the select premium brand communities in the region. Le Deck is the Beach Club’s signature fine dining restaurant offering à la carte lunches and evening meals in a relaxed setting. The Sea Lounge is a permanent outdoor venue with DJ facilities, an open lounge deck, and a connection to an impressive lawn that can be used to host events.

dpa worked closely with LWD Interiors to create lighting schemes that enhance the soft colour tones and textures of the interior spaces. Special attention was made to control the lighting between interior and exterior spaces so as to provide guests with excellent sea view vistas from interior spaces and subtly illuminate the landscape and gardens. We were also aware of the lighting in transitional zones, namely the main reception area, which for 6 months of the year will be semi-enclosed, allowing ease of movement from the interior to the exterior, thus the lighting should not be too contrasting, but ambient and sympathetic to the guest’s experience.

The exterior lighting to the front of the building seeks to emphasise the structural elements of the architecture and cut-off luminaires mounted on low-lighting columns to minimise light pollution. The beachside lighting focuses on the main central swimming pool and the cabana area, with discreet wall-recessed luminaires providing pathway lighting for nighttime orientation. Particular sensitivity was shown to placing light sources close to the beach due to the migratory habits of the indigenous marine life.

Client:  TDIC
Interior Designer & Architect: LW Design Group
Photography:  LW Design Group

The Hilton Hotel at Terminal 4 London Heathrow has completed an upgrade of the Business Centre and facilities with Interior Designers HBA, The Gallery, London. The interiors have been lifted to give a fresh and vibrant feel including the Business Centre Reception, Meeting Rooms and Suites and two Ballrooms. The Guest Rooms have also had a phased refurbishment, again accepting a new interior and lighting design.

As a suite of meeting facilities, a similar approach to the lighting design was employed to conceal lighting where possible to lighten the spaces which had restrictive ceiling heights, as the location is below the main entry level. Minimal down lighting has been carefully coordinated and used for accent and functional needs to protect and respect the feature ceilings. Other lighting techniques providing an overall ambience throughout the spaces are all dimmed on an architectural dimming system coupled with sensors to ensure energy is not wasted when spaces are inactive.

Client:  Hilton Worldwide
Operator: Hilton Worldwide
Interior Designer: HBA, The Gallery, London
Project Manager: Area Project Management, Surrey
Electrical Consultant: Deasy Management Ltd, Thame
Photography: Darren Chung

Jumeirah Al Naseem is the newest 5-star luxury Hotel addition to the successful and famous Madinat Jumeirah.  Located on the coastline next to the Burj Al Arab with unrivaled views of the sea, the resort hotel is an exciting and exuberant destination.

The modern Arabic architecture and interiors are open, fresh, and luxurious, situated in lush landscaped gardens and terraces. dpa were delighted to be appointed by Mirage Leisure Development Inc., and privileged to be responsible for the lighting design of all the exterior, landscape, F&B, public areas, and guestrooms.  Lighting to the extensive development was designed with a combination of deliberate subtle touches, drama, and theatre to complement and enhance the world-class development.

Client: Dubai Royal Family / Jumeirah Group
Operator: Jumeirah Group
Developer and Project Manager: Mirage Leisure Development Inc
Architect: Northpoint / Woods Bagot
Interior Designer: dsgn design
Landscape Designer: Bensley Design Studios
M&E Consultant: CKR Consulting Engineers
Photography: Alex Jeffries Photography Group / Jumeirah Group

Working closely with The Hickson Design Partnership Ltd and Sweett Group (now part of Currie & Brown), dpa lighting consultants were appointed to design a lighting scheme that would be in keeping with the proposed interior design plans for the refurbishment of the Lobby at the Hilton Hotel Milan.  The lighting needed to emphasise the modern and sophisticated space, with a design that not only presented a consistent ambience throughout, but also created a zonal separation to the Concept 45 Bar & Restaurant, Reception, Lounge, Library and Lift Lobby.  By utilising ceiling coves, furniture and fixtures to integrate concealed lighting, dpa were able to add interest and focus to particular elements of the interior, with supplementary downlighting to highlight artwork, tables and points of interaction, such as the bar and check in desks.  Task lighting was also implemented to provide functional lighting for staff in the Concept 45 Bar & Restaurant and Reception.

Warm white, dimmable, 2700K LED fixtures were specified and installed throughout, to reduce energy and maintenance costs and a lighting control system was installed to give the flexibility required for the lighting to adapt to suit the hotel’s needs throughout the day.  The control system installed includes an astronomical time clock that automatically sets the lighting scenes to allow for a smooth transition between day and night and there are control plates within the Concept 45 Bar & Restaurant and Reception, to allow for further control of the lighting should the staff wish to change the lighting scene, or raise/lower the light levels.

Photography Courtesy of Beppe Raso & The Hickson Design Partnership Ltd 

Photography Courtesy of:
Mandarin Oriental / George Apostolidis

In 2015 Mandarin Oriental Hotel in Munich underwent an extensive refurbishment of its public areas for which dpa lighting consultants provided a new lighting design.

The hotel is located in Munich’s Old Town, near to Maximilianstrasse, famous for its luxury boutiques and designer shops, and the famous brewery Hofbräuhaus. The building that houses Mandarin Oriental, Munich was originally constructed in 1880 and served as the city’s opera house.

In 1990, the building was converted to hotel use and was eventually purchased by Mandarin Oriental Hotel Group in 2000.

dpa have worked closely with the Interior Designers at FG Stijl on the Public Areas including a signature restaurant on the first floor as well as meeting rooms, and the refurbished hotel entrance lobby, reception, lobby lounge and hotel bar on the ground floor.

In November 2015 the hotel opened ‘Matsuhisa, Munich’, a restaurant offering the renowned ‘New Style Japanese-Peruvian’ cuisine of starchef Nobuyuki (Nobu) Matsuhisa.

The lighting design provides drama, depth and fluidity to the various interconnecting spaces with carefully placed and concealed lighting that draws on the various interior details such as backlit decorative perforated wall panels, illuminated drinks display units, a feature Sake counter and illuminated shelving for the Sake barrels, backlit Onyx panels behind the restaurant show kitchen, and integrated lighting to showcases and furniture such as counter and banquette seating.

The double-height space in the new reception lobby is accented by a feature-illuminated ‘tree-shaped’ column providing connectivity between the two floors, with the column being visible from inside the restaurant. A grand illuminated stair curves around the column and connects the two floors.

The ‘Bar31’, which is located on the ground floor, features library shelves with integrated concealed lighting and a focal, semi-circular bar counter with illuminated champagne cooler in its centre as well as glowing back bar shelves. A mixture of decorative lighting elements chosen by the Interior designers and architectural downlighting provides the ambient lighting.

Client/Operator: Mandarin Oriental Hotels
Interior Designer: FG Stijl

The Cap Vermell Grand Hotel, Mallorca is nestled in the hills of north east Mallorca. The hotel is laid out around a square like a traditional Mallorcan village. Surrounded by Clusters of buildings built from the local stone excavated from the mountain during construction, the site is divided by winding paths, steps and a central stream helping create an authentically traditional Mallorcan feel.  The challenge for dpa lay in the requirement to balance operational needs of a modern hotel and meet strict energy efficiency regulations whilst blending with the traditional Mallorcan village aesthetic.

dpa worked closely with the Architect DSA, Interior designer Michelle Evans and Associates and Landscape Architect AECOM to create a seamless flow of lighting between the exterior and interior.  Carefully selecting natural material such as copper and bronze for external lighting which naturally weathers to a deep bronze colour helping the lighting to blend into their natural stone surroundings.

Client/Owner: Grupo Cap Vermell
Operator: Hyatt
Project Manager: Cushman & Wakefield
Architect: DSA
Interior Designer: Michelle Evans & Associates
Landscape Designer: AECOM
M&E Consultant: Engineers Assessors
Photography: Courtesy of Cap Vermell Investments Group

In the heart of Dubai’s Business Bay district, close to the Burj Khalifa and The Dubai Mall, the newly opened 5-star Steigenberger Hotel Business Bay Dubai meets the demands of both leisure and business travellers. This cosmopolitan hotel with a German touch is the first property from the brand in the GCC region, featuring elegant and stylish designs combined with German precision and efficiency.

dpa lighting consultants provided the lighting design for all of the internal public & guest areas, working closely with the Interior Designers at LW Design Group on the entrance lobby, reception, lobby lounge, meeting rooms, ballroom, fitness suite and Spa. Together with guestrooms and suites which enjoy stunning views over the bay, the interior design and lighting design worked hand in hand for the restaurants, bars and cafés.

The lighting design brings together and showcases the stylish palette of materials and finishes, whilst providing a sense of space and continuity through the connecting areas. The overriding design approach to the lighting was to limit the down lighting and play to the architectural features of the spaces by integrating lighting into key interior and architectural detailing and concealing the light equipment as much as possible.

Functionality of the lighting is also key, with all areas designed with energy efficient light sources in maintainable locations and controlled by intelligent lighting control systems to change the emphasis and atmosphere at different times of the day.

Client: Abdulsalam Al Rafi Group
Operator: Steigenberger Hotels
Project Manager: ArchGroup
Interior Designer: LW Design Group
M&E Consultant: Al Tayer

In order to capture all considerations from a design and operational point, the lighting for the Hilton Hotel Schiphol was looked at in its entirety as a ‘Masterplan’ to ensure all areas flowed as one. The architecture and interiors establish this but the lighting design reinforces this throughout the day and night. It was essential that the lighting design was integrated and coordinated with the design team Mecanoo Architects, HBA The Gallery, London, and the operator to ensure that a seamless and cohesive scheme was met for both aesthetic merit and operational needs as well as to provide comfort for a diverse demographic of traveller to this airport hotel. The Client, Schiphol Real Estate was also dedicated to achieving a stunning world-class airport hotel with the team. The M&E engineers Deerns from The Netherlands provided essential technical support and coordination throughout the project as did Hilton’s Design team.

The primary design approach was to limit the down lighting and explore the overall ‘architectural story’ by integrating lighting into key interior and architectural features such as the ‘ribbon’ wall which connects the Reception, Lobby, Bar and Restaurant throughout the ground floor spaces utilising backlighting and floating of the perforated ‘ribbon’ wall.

The Atrium is central to the whole hotel from the Ground Floor Entrance Lobby, Restaurant and Bars, through the Business facilities and Spa at levels 1 & 2 and up to the Executive Lounge towards the top of the building. The atrium roof lighting provides a subtle canopy of colour which bathes the atrium walls in a soft wash of light adopting the subtle colours of dusk at sunset. The tiny 500No. 0.7w LED up lights to the copper wall vertical strip details provide a backdrop foil to the internal guest rooms with an added sparkle within the atrium roof light.

This is where the Lighting ‘Masterplan’ helped to plan the use of lighting technology which was driven towards the use of LED lighting. The scheme utilises 95% LED technology but still maintains the ambience and warmth you would expect. All lighting is dimmable so the transition from day to night is carefully controlled. This is particularly important with the huge atrium space and other areas which benefit from natural light during the day.

Concealed linear lighting within ceiling and wall base details ‘float’ the walls within ceiling coves and balustrade skirting and step details to lighten the walls with concealed lighting from the ground floor areas through the central Atrium and guest corridors; again, to reduce the need for downlights and keep the ceiling and walls clean.

Client: Schiphol Real Estate / Schiphol Hotel Property Co. BV
Architect: Mecanoo Architects
Interior Design: The Gallery HBA
M&E Engineers: Deerns
Photography: Courtesy of Hilton Hotels & Resorts, Hufton+Crow and Will Pryce Photography

Fronting the Atlantic Ocean, the new intimately scaled Four Seasons Casablanca offers a resort style hotel, blending textured sand-coloured contemporary architecture with a modern Moroccan interior. dpa worked closely with GA Design International, London to design the main public areas including the ‘Mint’ tea lounge and EDG Design, California for the design of the ‘Bleu’ speciality restaurant and ‘Altitude 33’ pool bar.

Overlooking the oceanfront on the prestigious corniche, the hotel is part of the Anfa Place development, being the first master-planned construction on the White City’s shore. The guest experience is set off on arrival at the inspiring and sensational Porte Cochere, which consists of 1225 Moroccan shaped pots, each individually lit. The understated and discreet entrance then gives way to a majestic mix of interior spaces with a building geometry that is based around the linear courtyard and gardens.

Owner: Inveravante
Operator: Four Seasons Hotels & Resorts
Project Manager: MACE
Master Planning Architect of Anfa Place: Foster + Partners
Local Architect: Sens Archi
Landscape Architect: Arge
Interior Designer: GA Design (main Public Areas including the ‘Mint’ Tea Lounge) and EDG Design (‘Bleu’ Speciality Restaurant and ‘Altitude 33’ Pool Bar)
Electrical Contractor: Elecnor
Photography: Courtesy of Four Seasons Hotels & Resorts

The Four Seasons Hotel in Moscow has undergone an extensive refurbishment of the centrally located hotel next to Red Square.

The refurbishment was a mammoth task in both size and complexity of building and architectural detail along with historic consideration to the original Hotel Moskva from the early 1930’s.

dpa worked closely with interior designers Richmond International on all public areas including two restaurants and a hip club bar, looking out onto Revolution Square and Manege Square, Grand Ballroom and Function Suite and large Spa as well guest rooms and suites.

The design evolved over several years and is still fresh and en vogue. dpa’s design supported the grand decorative lighting elements in all areas and accents and draws interest to notable interior architectural details. The lighting provides drama, depth and fluidity to the various interconnecting spaces with carefully placed and concealed lighting that draws on the various interior details such as illuminated balustrades, glowing and glistening in the double-height space of the reception lobby, and accented columns providing connectivity to the two floors. All artwork, a beautifully curated collection by Peter Leonard from Local Russian artists, is enhanced with thoughtful lighting.

Even though the scheme was designed several years ago, dpa undertook a review exercise to replace selected specifications with LED lamping to provide a more sustainable design for both architectural and decorative lighting. The outcome being as considered and as intended, the hotel opened in November 2014 and the spa opened in early 2015.

The Four Seasons Hotel Gresham Palace Budapest is a historical landmark that combines the luxurious comforts of the 21st century with the elegance of the past, it is considered by many to be the best hotel in Hungary. The Hotel appointed dpa to design the lighting and work with EDG Design when they embarked upon the development and launch of their new restaurant.

The Kollázs Brasserie & Bar is a contemporary European brasserie in a vibrant location, overlooking the Chain Bridge and the Danube River. The decorative interior makes many historical references through beautiful details, sensitively selected artwork, furniture and materials. A mixed palette of concealed, integrated lighting, decorative luminaires and discreet downlighting sympathetically provides the elements to create a vibrant and welcoming restaurant. Along with the dining rooms, the restaurant features an elegant Patisserie, dramatic Rotisserie and striking Bar design, all of which are enhanced with carefully coordinated lighting.

The restaurant is in operation all day from early breakfast to late night cocktails. In response to this flexible use, the lighting changes through the day to best suit the service at any particular time with the bright and fresh daytime scenes to a more intimate dining experience in the evening. The Bar becomes the main attraction after dinner when the lighting provides focus to the bespoke furniture and sparkling glassware creating a cosy and relaxed place to enjoy a late drink.

One of Hong Kong’s leading luxury hotels, the Langham has recently undergone a refurbishment of the main Lobby and Reception, Palm Court lounge, Artesian bar and a number of rooms and suites.  dpa were commissioned as lighting consultants and worked closely with G.A Design to recreate these spaces with a fresher and more modern appearance reflecting the brand’s reputation for exquisite comfort and convenience, whilst respecting the existing architectural bounds.

The Lobby, Palm Court and Artesian bar do not benefit greatly from natural light, so the challenge was to provide a lighting scheme that responded to the outdoor environment throughout the day, whilst maintaining a comfortable environment for hotel guests.  This was achieved by introducing new lighting to existing architectural elements within the Lobby to provide increased illumination to vertical surfaces and at the entrance threshold and towards reception to promote a greater sense of arrival that carries guests through the space.

The Palm Court lounge and Artesian bar are directly adjacent to the Lobby and so a balance needed to be struck, ensuring parity with the lighting within the Lobby whilst also promoting a relaxed atmosphere throughout the day and into the evening.  Key features including the newly designed pastry counter and tea display are spot-lit with narrow beam luminaires and contain integrated lighting to draw attention to one of Langham’s world famous signatures, afternoon tea.  Elsewhere concealed lighting and soft decorative luminaires complement the sophisticated new finishes, creating an inviting and cosy setting.

Both spaces are controlled via an upgraded lighting control system to change the emphasis and atmosphere at different times of day, whilst saving energy.

The new guestroom interior design responds to the excellent natural light ingress, with light and refreshing finishes.  The lighting seeks to complement this with new energy efficient LED light sources and appropriate controls over individual lighting elements, offering brighter and softer scenarios for day and night.

Client: Langham Hotels
Operator: Langham Hospitality Group
Interior Design: GA Design

The Place, Tainan is an interesting hotel in Downtown Tainan’s East District conceived by the Dutch Architects Mecanoo and Client Hotel Royal Group. It  reflects and connects with the local culture, city and landscape and is beautifully presented with a contemporary ‘Dutch twist’ on the design. The result is a vibrant and stunning guest experience from the Reception Lobby, Cafe and shop at Ground Level through to the upper levels of restaurants, bar, meeting and gallery spaces as well as the stunningly simple and stylish rooms.

Natural daylight was in abundance so lighting control was an important lighting component and provides the seamless transition from day to night in all areas.

The rooms are modest but appear spacious with lighting ‘floating’ various planes and volumes to provide visual interest and define the sleep, relax and work zones. The dark materials are also offset with lighting to add further drama to the spaces at night.

For the public areas , dpa worked closely with Mecanoo to develop an overall lighting approach with lighting concealed where volume and planes needed separating and softening as backdrops to very human spaces with decorative elements providing soft intimate focus or dramatic accent to objects and materials.

The result is an impressive working of materials , planes and volumes that connect and float with lighting playing an integral part to their harmony.

Client: Royal Management Consultant Co, Ltd
Operator: Hotel Royal Group
Architect and Interior Designer: Mecanoo

The combination of carefully integrated lighting equipment within the interior fabric and the use of decorative human-scale lighting elements such as table lamps and floor-standing lamps have resulted in a visually stimulating hotel interior. The balance between varying lighting techniques in terms of their detailing and the intensity of light being emitted from them was a pre-requisite in the early stages of the lighting design process.

The resultant effect is one of a harmonious lit environment in which the interior architecture is sympathetically expressed with artificial light.

Client: Abu Dhabi Royal Family
Operator: Le Royal Méridien
Project Manager: Tailored Business Solutions
Architect: LW Design Group
Interior Designer: LW Design Group
M&E Consultant: WME Consultants

The Connaught in London is one of the city’s ‘elder statesman’ hotels and is a favourite for many for its discreet location and very high quality service. The hotel underwent a complete refurbishment in phases in the early 2000’s and Gary Campbell, London partner at dpa was commissioned to provide lighting design services to the ground floor public areas. One of these areas is the Connaught Bar, previously the famous old ‘American Bar’. David Collins Studio was commissioned to develop a unique luxurious interior design. The interior lighting has a high degree of decorative luminaires, pendants and wall lights, and these are complemented with very discreet downlighting to provide accent. Fibre-optics are integrated into the wine display cases.

Client and Operator: Maybourne Hotel Group
Project Manager: Rainey and Best
Architect: Blair Associates Architects
Interior Designers: David Collins, India Madhavi & Sills Huniford Associates
M&E Consultant: Lehding Services Design

The Istanbul EDITION is part of a new hotel concept born from a collaboration between Ian Schrager and Bill Marriott of Marriott International.

dpa lighting consultants were asked by the owner to work with the unique team of designers and visionaries on all aspects of the hotel from the 3 level basement ESPA spa designed by HBA London, to the public areas and guest suites created by New York based interior designers Gabellini Sheppard. dpa also worked closely with Tumay Architecture to create a dynamic lighting system to the façade and general light to the base of the building.

With Ian Schrager Company directing the team, a truly unique quality and mix of design, experience and hospitality has been achieved.

The Istanbul EDITION has 13 floors with a panoramic Penthouse Suite. Amongst the public areas are contemporary interiors with tones of traditional Ottoman style throughout. This includes walls, ceilings and floors lined with mosaic tile, exotic woods, bronze, gold and white gold leaf reminiscent of Ottoman style in all of its splendour.

Turkey, as in most of mainland Europe, the UK and Ireland have been consumed by rising energy costs as well as the ethical concerns we all face for the conservation of natural resources. dpa lighting consultants are extremely conscientious in the approach to lighting design and energy conservation on all projects whether designing an inspiring masterplan in Abu Dhabi or the sensitivity of a spa resort in Killarney.

Lighting has played a significant role in the success of the overall quality, style and ambience to the interior spaces with lighting carefully integrated into the building fabric to express the materiality, space, volume, texture and tone as well as bring out the natural colour pallet which is of rich natural hues. dpa’s challenge was to develop an inspiring and appropriate lighting design for both interior and exterior areas as well as provide an extremely energy efficient lighting scheme.

The lights for the exterior of the building utilize LED “Pixels” over the façade, which are programmed to provide abstract and sophisticated motif designs. Colour is used sparingly to the crown of the building, and concealed linear lighting helps to accent the layers of balconies at ground and first floors, which wrap around the core of the public areas.

The lighting to the entry and lobby (images 1 & 2) enhances the various layers of materials and accentuates the contrasting textures and colours. A comfortable volume is achieved by allowing areas of relative darkness to recede back and provide brighter areas of interest.

Through to the Gold Bar (images 2 & 3) the careful detailing of concealed and appropriate lighting continues with material accent and a careful balance of light. A continuity of this is seen in the mezzanine Drawing Room (image 4) where simple accent to the tables and concealed linear lighting are used sparingly in areas where activity is present and key materials/elements benefit from lighting accent.

As with all areas, layers of lighting are used from low level to ceiling to provide visual interest and balance, which can also be seen in the Guest Suites (images 5,6 & 7).

The Guestrooms follow a similar and sympathetic design approach with careful detailing and integration into the interior fabric (images 5 & 6).

The lighting design for ESPA continues with a sympathetic and appropriate response to accentuate and complement the interesting 3 levels of Spa interior spaces (image 8).

Energy efficient lighting has been utilised throughout the scheme. In particular, linear LED, low voltage cold cathode, low wattage IRC lamping, fluorescent and metal halide light sources have been used.

Finally, an architectural lighting control system seamlessly provides the functionality of scene setting throughout the day and night on both an aesthetic level as well as further reducing power consumption.

Owner: Palmali Group
Operator: EDITION Hotels
Architect: Tumay Architecture
Interior Design (Public Areas and Guest Suites): Gabellini Sheppard
Interior Design (Spa): The Gallery HBA
Spa Operator: ESPA

The Waldorf Astoria Amsterdam is a collection of six very fine historical buildings dating from 17th and 18th Century in the most wonderful part of Amsterdam. DvM b.v., the owners of the property, orchestrated a most sensitive refurbishment. GA Design International produced the interiors of this very special property. Amsterdam elegance and understated quality resonate throughout the project. The lighting design echoes this simplicity visually but uses the latest technology to achieve appropriately scaled architectural luminaires and energy-saving sources where appropriate. The historic building fabric starts in the Entrance Lobby, where features have been discreetly highlighted to expose their beauty. The adjacent Grand Staircase provides an incredible vertical connection to the Upper Levels, and again lighting has been discreetly integrated to expose the depth of the decorative surfaces that surround the space.

Throughout the project respect for the historic fabric has been sensitively merged with contemporary elements, and again the lighting emphasises this approach. To save energy and create the appropriate atmosphere at varying times of the day and night, all the lighting is linked to a computer-controlled scene set system that provides simple, instinctive, one touch actions to create a different mood, whilst public areas change automatically by time clock.

We are very proud to have been part of a large team working with an excellent owner DvM b.v. and Hilton, together with the rest of the professional group that delivered this project.

Owner: DvM b.v.
Operator: Hilton Hotels & Resorts
Architect: OeverZaaijer
Interior Design: GA Design

dpa were delighted when owner Elisabeth Brochmann and Jan Wilson of RPW asked us to design the lighting for the conference room floor at this unique property in Oslo. The design team working closely with Elisabeth to maintain the uniqueness of this hotel, whilst completely refreshing its presentation.

Contemporary decorative lighting elements maintain an appropriate style, whilst integrated architectural lighting highlights artwork, other objects of interest and creates the brightness and drama the spaces need for modern activities. All the lighting is controlled through a computerised system enabling different scenes to be instigated at the press of a single button with a simple and instinctive set up.

Operator: Hotel Continental
Interior Design: RPW Design

Situated on the site of the old Absheron hotel, the new JW Marriott Absheron is located next to the vibrant Baku Boulevard along the city’s waterfront, with the fashionable new developments of Port Baku residences and the Park Bulvar shopping mall in close proximity.

dpa Dubai were appointed as the specialist lighting consultants for the internal Public Areas and dpa London for the external Façade and Landscape. The interior designer for the project was the internationally renowned WA International Interiors, dpa Dubai worked closely with their Design Director Claire Craig to develop the lighting for the internal Public Areas. Our concept focused on concealing indirect light sources within ceilings, walls and furniture details to reduce any visual ‘clutter’ so as not to detract from the interiors. Large decorative glass chandeliers were selected from a specialist manufacturer and dpa were responsible for providing illumination to each chandelier within the reception and pre-function areas.

Located on the 21st floor is the indoor swimming pool, a double height volume with panoramic views of Baku city and the newly constructed Flame Towers. The brief for the lighting was to create drama and contrast, whilst not disrupting the night time views of the city. We developed an LED cove light which uses a DMX protocol to create a simple dual tone colour cycle with extended fade times for lighting scenes during the day and night time. Internal back lit fret work panels, provide an ambient back drop for guests admiring the views whilst relaxing by the pool bar in the evening. The internal lighting effect in the Pool ceiling adds to the exterior lighting scheme and draws attention of the public from Baku Boulevard at night time.

Client: Pasha Group
Operator: JW Marriott
Project Manager: MACE
Architect: Reardon Smith
Interior Designer: WA International Interiors
Landscape Designer: Scape
M&E Consultant: Strabag

The Four Seasons Hotel located on London’s Park Lane has recently undergone a multimillion pound redevelopment . The hotel, which originally opened in 1970, was Four Seasons Hotels’ first hotel in Europe. The refurbishment consisted of restructuring the public spaces, reconfiguring the guest rooms and suites, plus the addition of an extra floor atop of the original building housing the hotel’s spa.

dpa was appointed as lighting consultants for all public, front of house and external areas, including the entrance lobby and reception, restaurant, bar, tea lounge, ballroom, meeting rooms, guest lounge, gym, spa, façade lighting, porte cochere, and garden. We were also responsible for designing the lighting in all guestrooms and suites, of which there were 12 different guestroom types and 11 different suite designs.

dpa worked closely with the project team, which included the client Pierre-Yves Rochon (interior designer) and ReardonSmith Architects (lead architect), to produce lighting solutions, in terms of both aesthetic appearance and functional operation, suitable for the many different spaces within the hotel.

A fully automated lighting control system is utilised in the public areas to select the most appropriate lighting scene dependent on both the time of day and time of year.

Within the function rooms the lighting controls fully integrate with the audio visual systems allowing both projectors, blinds, audio and lighting to be controlled seamlessly as one at the touch of a button. The system even allows for users to copy and modify lighting scenes for future recall.

The guestroom and suite lighting all link with the hotel’s guestroom management, key card and booking systems, automatically selecting the correct lighting configuration dependent on whether guests or staff are entering the room and switching off the lighting when the room is vacant.

Through the use of lighting controls and the integration of these with the other hotel systems, many savings are made through the reduction of energy use and the benefit of extended life of tungsten lamps, reducing the maintenance required for these sources.

Client: Pedra Developments
Operator: Four Seasons Hotels & Resorts
Project Manager: BSPM
Architect/Lead Designer: Rearden Smith Architects
Spa Architect: Eric Parry Architects
Interior Designer (Public Spaces and Guest Rooms): Pierre Yves Rochon
Interior Designer (Ownership Facilities): Decovar
MEP Services Engineer: IDA Associates
Landscape Architect: Macgregor Smith
Planning Consultant: DP9

The Four Seasons Hotel in Riyadh is an established property that has undergone a major refurbishment which includes re-presenting the main Entrance Lobby and Tea Lounge whilst restaurants have also been reinvented with striking new interiors.

The main Lobby is a large space with dramatic and powerful vistas. The importance of water in the region has been recognised with the inclusion of a large vertical water feature and sculpture, carefully lit from below with light integrated into the structure and from higher level with concealed projectors on the opposite side of the space. The structure at high level is exposed with appropriately positioned light sources grazing light across the complex surfaces. At low level vertical slatted screens have been introduced to break up the space and with light placed between each fin at low level their form is further expressed and enjoyed.

Features in the space are highlighted with light and the dramatic art installation behind the reception desk is illuminated to expose its 3 dimensional qualities and forms. This has a floating line to the top and adjustable wall washes providing direct light onto the feature. The reception desk has light floating it under the counter and at skirting level.

Elements Restaurant at The Four Seasons Riyadh offers a variety of cuisines throughout the day and night. Unlike most All-Day Eateries, this facility provides the highest quality of food in luxurious and visually stimulating surroundings.

The lighting has been carefully conceived as part of the overall design philosophy with the show kitchens and displays having a dramatic and theatrical quality. The lighting consists of a combination of elements, from integrated light within counters at low level, integrated light within high level canopies and cornices, to highlighting of displays and tables with narrow beam spotlights and a variety of decorative luminaires.

All the lighting is connected to a computer controlled pre-set scene setting system that has been carefully organised to provide the perfect atmosphere at each moment of the day and night.

Park Hyatt Maldives Hadahaa is situated on a pristine island of the Maldives, 400 kilometres south of Malé, the capital of the Maldives. 

The luxury resort is home to two restaurants, a poolside bar, the unique ‘upside down’ Dhoni Lounge, 50 luxuriously appointed water, pool and land villas, two large fresh water swimming pools, a Maldivian-inspired Vidhun Spa, and a five-star PADI dive centre. All facilities are maintaining environmental sensitivity, nestled within the natural vegetation, and most of them only a few steps away from the turquoise waters of the Indian Ocean.

By specifying low-level, low-glare lighting fixtures for the landscape lighting design, our aim was to retain a dark-sky friendly environment, where guests can enjoy the sunset and starry sky from the beach or from within the privacy of their own villa at night. 

By introducing energy efficient standard products, built into simple ‘custom / locally made’ housings, the external landscape lighting scheme complements the overall environmental sensitive philosophy of the Park Hyatt Hadahaa.

For the refurbishment of the Restaurants and Spa Facilities, we have worked closely with the Interior Designers (HBA) to fully integrate the lighting fixtures within the overall design, to highlight the specific location characteristics and to provide warm and welcoming atmospheres for the guests at night.

Client: Driftwood Maldives Pvt. Ltd
Operator: Hyatt International
Architect: Wilmotte
Interior Designer: HBA

Capital Gate is an iconic 35-storey gravity defying tower, featuring the 5-star hotel Hyatt Capital Gate. The visually stunning tower has been built using some of the world’s most advanced construction techniques and leans an astonishing 18-degrees westward. In June 2010, the Guinness Book of World Records certified Capital Gate as the “World’s furthest leaning man-made tower.”

dpa were commissioned to design the lighting for both the interior public areas of the Hotel & Tower, and the exterior façade and landscaping.

The Façade is a self-supporting, highly engineered, diagrid structure. The challenge of showcasing this unique form at night, whilst adhering to the restraints of not penetrating the ‘skin’ of the building or having lighting equipment visible from inside and out, was met by a novel, integrated and flexible approach to the lighting design. Approximately 700 colour change LED ‘pixels’ have been specially integrated directly behind the outer glass surface to create a dynamic shroud of lighting that continually emulates and exaggerates the form and appearance of the tower. The tower is visually linked to the exhibition centre by highlighting the ‘splash’ edge and emphasising its sweep over the grandstand.

Client – Abu Dhabi National Exhibition Centre
Architect – RMJM
Interior Designer -RPW

The acclaimed Embassy Dubai is the latest edition of the legendary London Venue that has rapidly become one of the most chic hotspots in town. Situated on three floors at the top of the new Grosvenor House Hotel Tower 2, the venue dubbed as a supper and members club, has spectacular 360º views of the Dubai Marina and Arabian Gulf and is a regular haunt of celebrities and the Dubai elite.

In collaboration with renowned interior designers, LW Design Group, dpa helped to create a lighting design befitting of the club’s clientele and pedigree. From the glitter and sparkle of artwork display cases to the intimate and stylish private rooms, the rich variety of materials and finishes are accentuated with light to reinforce the luxurious and fashionable interiors. Upon arrival in the exclusive elevator, the journey of light and texture is followed through to every space and detail, with deliberate varying atmospheres and ambience for the dining, dancing, social and private areas. The lighting techniques used are designed not to overpower the interiors in their own right, but to provide contrast and excitement in an environment where you want to be in and be seen.

Client: Grosvenor House Dubai
Interior Designer: LW Design Group

The Hyatt Regency Johannesburg underwent a major refurbishment in 2013. Nick Human of LLP Interior Design Studio in Johannesburg, and old friend of dpa’s asked us to help him with the lighting of this very important hotel. The scope of work included the external lighting to the front of the building and canopy, the Lobby, Lobby Lounge, oneNINEone Restaurant, The Terrance – Cigar and Wine Courtyard, various function rooms and the main Ballroom, together with the public circulation, so a major project.

The Lobby space has new feature chandeliers and a number of architectural lighting components to show off the refreshed spaces and materials, providing a dramatic introduction to the Hotel. The Lobby Lounge is an open connection between the Lobby and the external Courtyard beyond. There is a series of low level decorative lights, striking edge lit glass panels, a dramatically lit wine wall and architectural lighting components to highlight features, tables etc. as appropriate. The space enjoys excellent daylight when available and becomes an more intimate place to relax at night. The Garden Courtyard is a haven within the city. The planting and trees are exposed with light grazing across trunks into the canopy, underwater lighting, festoon lights, gently lit paths and careful consideration to every component within the space.

The oneNINEone Restaurant with the new communal table and hanging pendant feature is also well day-lit with a strong visual connection to the Garden. The lighting provides drama on the table and exposes the brick walls, artwork, and other displays throughout the space. Freestanding floor lamps have been introduced to provide a human scale more intimate element and a dimming control system ensures the most appropriate atmosphere day and night. The Show Kitchen as always in such eateries is the stage with the activity of the chefs the theatre, various lighting components enforce this.

The various Ballrooms have been redesigned with new decorative lighting features in some, a floating raft and new lit display table in another, combined with recessed architectural lighting to highlight tables and fabrics. Again, all the lighting is controlled with a scene set dimming system for ease of use and to activate the most appropriate lighting for the particular event and time of day. 

Interior Design: LLP Design
Landscape Design: Landmark Studios

Le Richemond Hotel on the banks of Lake Geneva has undergone a major refurbishment completed in the Autumn of 2007. dpa were responsible for the lighting design in relation to the key front of house areas, which included the main lobby/reception, bar, restaurant, meeting rooms, banquet hall, conference centre, and spa. It was important for the lighting design to fully consider the colourful material pallette together with associated textures proposed by interior designer John Stefanidis. The lighting application emphasises the interior design to the full and the result is an impressive lit interior portraying the quality of this prestigious hotel. The use of traditional styled light fixtures and minimalistic architectural lighting combine effectively. The spa area, in contrast, introduces coloured lit elements which inject a sense of drama and theatre, particularly with reference to the backlit bamboo clad walls, the contoured ceiling design, and mosaic floor treatments.

Client: Rocco Forte Hotels
Interior Designers: John Stefanidis
Photography: dpa lighting consultants

The majority of the photography for this project is courtesy of:
Mandarin Oriental / George Apostolidis

The Hotel du Rhône is located on the banks of the River Rhône in the centre of Geneva.

Originally designed by the noted Swiss architect Marc-Joseph Saugey, the hotel’s ground floor public spaces underwent a major refurbishment in 2007/08, shortly after the hotel was acquired by the Mandarin Oriental Group.

dpa lighting consultants were responsible for the lighting within the public spaces, including the entrance lobby, reception, lounge bar and two restaurants: “Le Sud”, an all-day brasserie with a menu by the French chef Paul Bocuse, and “Rasoi”, an Indian Restaurant run by acclaimed Indian chef Vineet Bhatia

dpa worked closely with the interior designer, Tihany Design, to create different identities for each of the areas whilst maintaining visual cohesion between the discrete spaces. Where possible, luminaires were concealed from direct view, allowing the rich materials and finishes specified by the interior designer to be revealed, whilst minimising the potential visual distraction from the lighting equipment itself.

A particular challenge of this project was meeting the strict energy usage requirements laid out by the local government. This was achieved through the careful selection of appropriate luminaires and high efficacy light sources and the use of a micro-processor based lighting control system. The control system allowed the mood of each individual area to be determined according to the uses of the space and the time of day.

Operator: Mandarin Oriental
Interior Designer: Tihany Design

The majority of the photography for this project is courtesy of:
Mandarin Oriental / George Apostolidis

The Mandarin Oriental Hotel is located within the Mala Strana historic quarter of Bohemian Prague. The project consisted of the refurbishment of a disused baroque style building, which started life as a monastery before ending life as a print works for the local government.

As lighting consultants, we worked closely with the Interior Designer and the National Heritage Authority (NPU) to ensure a design which, whilst sympathetic to the architecture of the building, responded to the needs of the hotel’s guests and operator.

NPU placed stringent requirements on the locations and appearance of luminaires within the historic areas of the hotel, which resulted in the bespoke design of three different luminaires.

Within the restaurant it was only permitted to mount luminaires on the wall; a luminaire was therefore designed that had three individually controllable light sources, providing a low level wash of light to the floor, and an uplight component revealing the structure of the low vaulted ceiling whilst also providing ambient light to the space and a decorative element for visual interest.

In the Monastery Lounge and Ballroom, the solution was to create a luminaire of stone appearance, concealing three different light sources all individually controllable. A general ambient illumination was therefore achieved, whilst revealing the columns and vault with a concealed up and downlight. Luminaires were also concealed in the reconstructed column cornices providing additional uplight to the vaulted ceiling. Within the Ballroom, a number of chandeliers, constructed from local Bohemian crystal, were hung from the central point of each vault.

Scene setting of the lighting is utilised to lower energy usage and to set the mood of each individual space appropriate to the time of day or function. One area where the controls were especially important was the bar whose focal point is a backlit glass bottle display. The colour of the lighting has been carefully chosen to suit the mood and time of day, varying from a bright invigorating sky blue in the morning through to a deep saturated red for late night drinking.

Client: Finartis Financial SA
Operator: Mandarin Oriental Hotel Group
Project Manager: Bovis Lend Lease
Interior Design: Sporer Plus
Concept Interior Design: KCA International
Spa Interior Design: Deckelmann Wellness
Photography: Courtesy of Mandarin Oriental Hotel Group.

Photography Courtesy of:
Mandarin Oriental / George Apostolidis

Situated at the heart of Paris’s fashionable Rue St Honoré, the Mandarin Hotel is a few minutes’ walk from the elegant Tuileries gardens with the Louvre and Musée d’Orsay. Originally a government ministry building built in the classical vernacular and carefully restored by Wilmotte architects, the interior design was shared between SM Design and Jouin Manku agency. SM Design, a Paris-based agency designed the Lobby, Spa and Guest suites. With Jouin Manku an internationally acclaimed agency, also Paris based taking on Camilia the All Day Dining restaurant, Bar 8 the Hotel Bar and the Sur le Mesure Gourmet restaurant.

dpa Lighting design were responsible for the lighting design of all front-of-house areas, the courtyard, guest suites and the façade. Working closely with all 3 different designers Wilmotte, Jouin Manku and SM Design, dpa had to address all the different design styles whilst maintaining a coherent lighting strategy throughout the hotel, to allow a natural flow between the more traditional Paris apartment aesthetic of SM Design and the innovative and contemporary spaces of Jouin Manku. The AJM spaces required an exacting attention to detail with great care taken to conceal and integrate the lighting to the sculptural interiors. Where used, even the downlights were concealed in a custom plaster cone to hide the luminaire from view and a custom snoot arrangement was used to ensure there was no visible brightness on the ceiling, further concealing the location of the light source.

Client and Operator: Mandarin Oriental Hotels
Project Manager: ACPH
Architect: Wilmotte
Interior Designer: SM Design and Jouin Manku Agency
Landscape Designer: Agence Neveux-Rouyer
M&E Consultant: Coteba

Working in conjunction with LW Design on the interior spaces dpa have produced lighting responses to each area within this important and significant project.

The client wanted a contemporary business hotel with an appropriate feel for its location in the centre of Media City. The hotel and office were aimed to appeal to media executives that wanted an environment that reflects their own lifestyle i.e. state of the art facilities set within visually stimulating contemporary interiors.

The public areas flow seamlessly from one space to another, but each having its own character. The lighting was designed to carefully integrate with the interior spaces and enhance the visual experience. The hotel public areas have colour change backlit walls, stunning decorative lights and punches of illumination to create theatre and drama. There is a visual connection at ground level between the inside and outside, and many of the public spaces enjoy excellent daylight. The lighting of each space is linked to a computer controlled dimming / scene set system that automatically adjusts the light to suit the time of day, thus making the operation simple. The control system also minimises wasted energy use, which is of course an important issue for all projects whilst balancing maintainability and visual impact.

The contemporary language of the project is taken through into the guest rooms with glass walls to bathrooms and floating panels emphasised by light, soft indirect light to the shelving units, integrated lighting to the wardrobes and function decorative lighting to attend the guests’ needs.

The final result of the project is the creation of a fresh contemporary hotel and office that has its own distinctive character where light and interiors seamlessly integrate to produce visually stimulating experiences in every area of this complex.

Client: Media One Dubai
Interior Designer: LW Design Group

This large resort hotel is in a beautiful setting next to a lake in County Kerry, Ireland. dpa were asked to be involved with its refurbishment in collaboration with interior designers Hirsch Bedner Associates.

The Hotel presents an air of luxury, with the modern innovation of the crystal-themed bar in contrast to the traditional feel of the wood-and-leather Library, while the focus of most rooms is the views toward the lake via a high degree of transparency.

Lighting was used in all areas to enhance these objectives, working around the limitations of the existing structure of the building.

Client: The Europe Hotel & Resort, Killarney
Interior Design: The Gallery HBA
Architect: Gottstein Architects

The JW Marriott chain has recently expanded it’s portfolio with the opening of a new outlet in Ankara, Turkey, providing the capital with a smart and sophisticated business hotel.

The Hotel has been designed by the New York office of RMJM Architects and the interiors by the UK based Frank Solano Associates.

dpa lighting consultants were commissioned to design the lighting for all the interiors, including the Guest Bedrooms and Suites, a Jazz Bar, Night Club, Speciality Restaurant, an extensive Spa and the impressive Atrium Lobby which is bathed in daylight during the day and is then transformed into a dramatic and stunning space at night, the lighting of which provided the dpa Team with unique challenges.

dpa were also asked to design the lighting for the landscaped areas, including an impressive Wedding Terrace, a Pool Terrace and an intimate Roof Terrace with breathtaking views over Ankara.

The lighting of the entrance and exterior façade of the hotel was the most demanding aspect of the project for dpa.

The vertical characteristics of the building’s architecture were enhanced and emphasised with pencil beams of warm white light from custom designed uplights concealed in the tops of the stone fins. This subtle lighting effect contrasts with several feature slots within the facades being uplit with coloured light. This use of coloured light is repeated on a smaller scale on the shorter stone fins above the entrance canopy.

Client: Ciel Group
Interior Designer: Richmond International
Architect: WATG
Project Manager: SIP
Electrical Engineer: Capita Symonds
Landscape Designer: CEPM

The Waldorf Astoria Ras Al Khaimah, is the palatial landmark and luxurious hotel destination for the Northern Emirate. Inspired by the palaces of the Arabian Peninsular, the Waldorf offers 364 keys, 350m of beachfront and a multitude of dining, entertainment, conference and spa facilities.

dpa were tasked with designing the lighting for all public front of house and guest areas. Together with the creative talents of interior designers HBA, we undertook the transformation of one of the largest hospitality projects in the region into the 5 star quality environment that the Client expected.

Upon entering the hotel, the guests encounter large voluminous spaces, high ceilings, open atriums, views to balconies and upper levels.  The challenge in lighting the public spaces was balancing the hierarchy of views and interior elements whilst retaining an interesting and comfortable perspective for the guest. Of equal importance, because of the large areas involved, was keeping energy consumption and maintenance to a minimum. This was achieved by placing emphasis on focal points and layering the lighting elements whilst utilising LED light fixtures with very good colour and dimming properties.

Each of the F&B outlets, conference facilities and extensive spa, has its own interior identity, and the lighting design and implantation was tailored for each space. As with the public areas, the guestrooms and suites are of a high level of finishing and materials. The lighting needed to be integrated and concealed as much as possible so as to not detract from the guest experience, but also to be easily maintainable and standardised as much as much as possible to ensure longevity to the appearance of the hotel.

Client: RAK Properties
Interior Designer: HBA

The Hilton Glasgow Hotel has undergone a refurbishment of its ground floor public areas including reception, double height lobby lounge, lobby bar and two interjoining restaurants.

dpa worked closely with interior designers Central Design Studios to refresh a tired interior space from the early 90’s. The interiors have been transformed with quality materials, sophisticated detailing and carefully integrated lighting to enhance the spaces both during the day and at night.

The refurbishment posed a particularly difficult challenge on a limited budget, so dpa worked with Hilton’s engineering team to retain and upgrade the old lighting control system so that funds could be used for quality new lighting.

Client: Hilton International
Interior Designer: Central Design Studio
Project Manager: Hilton International
Photography: Courtesy of James Balston